Inhaltspezifische Aktionen

Aktuelle Gast- und Vertretungsprofessuren

Wintersemester 21/22
Franziska Windisch

Franziska Windisch is an artist and lecturer based in Brussels, Belgium. She studied at the Academy of Media Arts, Cologne. Her work moves between the areas of performance, text, composition and installation. She composes scores for performative acts which interrogate notions of trace, medium, sound and listening and which she then incorporates in linguistic, sculptural and installative arrangements. Situations that illustrate transformative processes and have unforeseen or irreversible results are key to her artistic practice. Her work has been presented internationally in art spaces and at festivals, including Klangkunstfestival Intraregionale, Centrale for Contemporary Arts Brussels (BE), Performatik (BE), Tuned City Messene (GR), RIXC Art Science Festival (LV), MU (NL) Arnolfini(UK), Edith-Russ Haus für Medienkunst (DE), Brückenmusik 17 (DE), FILE Festival(BR).

Susanna Schoenberg

Susanna Schoenberg is a film, media and performance artist. 

Her formal interests are devoted to contingency, translation, non-linear narration, the practice of transfer, reactivity, intermediality, and build on her training as both a filmmaker and a sociologist. She holds degrees in political science (University of Milan), cinematographic techniques (Film school of Milan), media arts (Academy of Media Arts Cologne), and a PhD in sociology (University of Milan).

Her artistic production includes experimental films and video installations, public actions, recording and displaying setups. Her media practice focuses on the idea of emergence (of reality and shapes of reality), on the gesture of displaying and the techno-image. 
Her works have been shown at international film and media art festivals and in group exhibitions, including Translife International Triennial of New Media Art Beijing, Taiwan International Video Art Exhibition Taipei, Japan Media Arts Festival Tokyo, International Award for Video Art ZKM, Yeosu International Art Festival, Festival Internazionale di Cinema di Locarno, Torino Film Festival, International Women‘s Film Festival Dotrmund/Cologne, Rencontres Internationales Paris, Festival International de Films de Femmes Creteil, European Media Art Festival Osnabrück, Ars Electronica Linz, Padiglione Italia Esposizione Internazionale d‘Arte della Biennale di Venezia. 

As producer and curator she uses the signature arte-e-parte. She also founded and curates the media art formula re-active platform and collaborates with the improvisation collective Frequenzwechsel.
As a media artist, she has sought cooperation and exchange with disciplines that are important and context-extending for both contemporary art practice and media theory. 2010 she co-founded Paidia Institute. Since 2018 she is collaborating with the interdisciplinary research group Kompostistische Internationale.
Sommersemester 2021
Wintersemester 2020/21
Ong Keng Sen

WS 2020/2021 Gast Professur Ong Keng Sen

Kurs: "De-Translating Fetish / Embodying Extravagant Enigmas"

Ari Benjamin Meyers

information only available in English


Ari Benjamin Meyers (b. 1972, USA) lives and works in Berlin. Meyers received his musical training at The Juilliard School, Yale University, and Peabody Institute. Trading the concert format for that of the exhibition, his works as an artist – such as Kunsthalle for Music (2018), Symphony 80 (with the Bavarian Radio Symphony Orchestra) and Solo for Ayumi (both 2017) – explore structures and processes that redefine the performative, social, and ephemeral nature of music as well as the relationship between performer and audience.

His diverse practice features musical performances for the stage and exhibition spaces as well as three operas including a commission for the Semperoper Dresden and a ballet for the Paris Opera. He has collaborated with artists including Tino Sehgal, Anri Sala, and Dominique Gonzalez-Foerster and bands such as The Residents, Einstürzende Neubauten, and Chicks on Speed.

Recent solo exhibitions include Solo for Ayumi at Schering Stiftung, Berlin (2020), Ari Benjamin Meyers: Kunsthalle for Music at MCA Santa Barbara (2019), Tacet at Kunstverein Kassel (2019) and In Concert at OGR Turin (2019). His works have been shown internationally including at Neues Museum Nürnberg (2020); VAC Moscow (2019); Frac Franche-Comté (2019); Pinault Collection, Punta della Dogana (2019); Video Art at Midnight (2019); Liverpool Biennial (2018); Nowy Teatr, Warsaw (2018); Public Art Munich (2018); Witte de With, Rotterdam (2018); Biennale de Lyon (2017); Spring Workshop, Hong Kong (2017); Esther Schipper, Berlin (2017); Lenbachhaus, Munich (2017); Hamburger Bahnhof, Berlin (2016).

His artist book Tacet in Concert was recently published by Corraini Edizioni.