In this workshop framework, a score is a blueprint for opening creative pathways of thinking and doing - in terms of dancing. An introduction will be given about the score itself and some artists that work with it: as a framework, a structure, a set of tools, a set of rules, as a script for a performance presentation, as well as an inspiration. We will work both practically and theoretically, conceptualizing scores from specific choreographers as well as activating and embodying them.

Therefore, my approach to scores applies an ongoing research methodology within the notion of the body-archive as the body of dance history - its relation to the tradition of dance based on operations with the appropriation of found movements (Rainer, 1966), one of the central concepts of the American postmodern dance movement (1960-70), taking my re-enactments of four minimalist choreographies as found choreographies: Trio A (Yvonne Rainer, 1966), Locus (Trisha Brown, 1975) Calico Mingling (Lucinda Childs, 1973), and No Time to Fly (Deborah Hay, 2010).

To re-enact those choreographies, I have been applying the post-annotation or video-annotation from Motion Bank Annotation System. The late is the development of the Motion Bank former project that has its roots in two William Forsythe’s projects: Synchronous Object for One Flat Thing, reproduced (2000) and Improvisational Technologies (2012), both working with the Forsythe Company to translate through digital data the choreographic knowledge, and repurpose this information visually and qualitatively.

Hochschule für Musik und Darstellende Künste, Frankfurt am Mainz / MA CODE - Master in Choreography and Dance

Júlia Abs

8.4., 10–13 Uhr and 14–17 Uhr

and

9.4., 10–13 Uhr.

Two days, 9 hours

The ATW students are welcome to participate in the workshop.

• Dance

Laura Bernhardt, Johannes Demmler, Christian Förnzler, Abhinav Sawhney, Eva Grund, Hannah Helbig, Mathis Kießling, Luka Modu, Felix Schwarzrock, Lena Werntze

• Performance

PB3000 und Bühnchen3000 im Theaterlabor, 17.07.2022, ab 14 Uhr

• Lecture-Performance
• Premiere

VON UND MIT: Koprow&Preßmar (Michelle Koprow und Laura-Marie Preßmar)
REGIE- UND PRODUKTIONSASSISTENZ: Kristina Roeder
MIT: Ali Napoé, Dr. Constanze Schuler, Melina Hepp, Prof. Dr. Nikolaus Müller-Schöll, Silvia Fritze, Sophie Osburg

DATES
Thu. 07.07.2022, Fri. 08.07.2022, Sun. 10.07.2022 at 8pm c.t.

TICKETS
15 / 10 / 7 €

Two performers, a writer, and a musician improvise onstage in the abyss that separates words and things, looking for ways to queer language and emancipate bodies from the names and concepts that were given to them. They engage in an ongoing process of building practices to question an anthropocentric approach to language. Theirs is a performance of deconstruction, an exercise in seeing language not as a way to appropriate things (I name, it’s mine) or to prove some human superiority, but as an eternal dialog between ungraspable beings. Within this dialog, worlds/words can be created.

Artistic Direction and Dramaturgy: Alice Nogueira
Creative Collaboration and Performance: ana clara montenegro and elena rose light
Sound Design and Performance: Julia Mihály
Light Design, Video Design and Performance: Merthe Wulf
Set Design: J.F. Schmidt-Colinet
Costume: Martin Müller
English Editing: elena rose light

• Premiere
• Performance
• Final piece

Performances

• 13.06.202, 8pm,  Künstlerhaus Mousonturm (Frankfurt am Main)
• 14.06.202, 8pm,  Künstlerhaus Mousonturm (Frankfurt am Main)
• 15.06.202, 8pm,  Künstlerhaus Mousonturm (Frankfurt am Main)

Concept & Performance: äöü (Patricia Bechtold / Johannes Karl)
Dramaturgy: Franziska Schneeberger
Performance: Sarah Wessels
Special effects & Performance: Carlos Franke
Stage & Costume: Eunsung Yang
Production: Carina Graf
Tech: Ruth Süpple, Simon Lenzen
Stage building: Simon Lenzen

• Performance

Performances

• March 4, 2022, 20 Uhr, HochX München
• March 5, 2022, 20 Uhr, HochX München

©Talisa Frenschkowski

February 10-11, 2022  12h-21h  at Institute for Applied Theatre Studies, Gießen   - sound and video installations, performances, interventions -   presentation of projects developed in the seminars Transfer I and Transfer II by Susanna Schoenberg and places where we come togetherby Franziska Windisch 

Lara-Marie Weine, Laura Bernhardt, Sophie Löbermann, Talisa Frenschkowski, Christina Bausch, Nicole Berns, J. Kathleen Schulken, Luka Modu, Felix Schwarzrock, Simon Lenzen

• Performance

• Premiere

Performances

• 19.06.2022, 2pm,  Probebühne im Strahlenzentrum (Leihgesterner Weg 217, 35392 Gießen)
• 19.06.2022, 4pm,  Probebühne im Strahlenzentrum (Leihgesterner Weg 217, 35392 Gießen)

©Talisa Frenschkowski

Vergangenheit Vorhersagen — Magazin-Release mit Luna Ali und Teilnehmer*innen des gleichnamigen Schreiblabors
— am 3. Juni 2022 um 20 Uhr — Schauspielhaus, Unterhaus

With Mari Molle, Raphael Koranda, Inana Othman, Stefanie Rübel, Raphaëlle RED, Luna Ali, Mara Božić, Linda Gao-Lenders, Damon Taleghani, Margarete Groschupf, Simoné Goldschmidt-Lechner

https://www.dhaus.de/programm/a-z/vergangenheit-vorhersagen/#

• Magazin-Release/Party

Concept/ Artistic direction: geteiltdurchdrei kollektiv (Judith Bethke, Maria Obermeier, Ruth Süpple)
Szenography: Herbert Graf
Theatre pedagogy: Nx
Graphic design: Jim Wolff
Production of assistance: Daniel Kailer/Verena Strasser
Production: Florencia Lasch Macaya

• Installation

Dates

Goetheplatz, Frankfurt am Main

More information about this event…

I say to her, ‘Would you like to be a wolf?’ She answers haughtily, ‘How stupid, you can’t be one wolf, you’re always eight or nine, six or seven.’

By and with: Amélie Haller & Victoria Link |
Composition and sound design: Sara Trawöger |
Video and lighting: Merthe Wulf |
Costume and objects: Kristin Gerwien

https://theater-hochx.de/wolves.html

• Performance

Aufführungen

• 02/25/2022, 8pm, HochX München
  
• 02/26/2022, 8pm, HochX München
• 02/27/2022, 8pm, HochX München