https://www.youtube.com/watch?v=VR_tehD4FNc&feature=emb_imp_woyt

• Installative Tanzperformance - digitale und interaktive Webversion
• Premiere

100 Advertisements is an ongoing project where I create advertisements for imaginary products or services that might “improve my life” (and yours!), during the coronavirus pandemic. The project started in March 2020, when Germany entered its first lockdown. Some advertisements are wishes for a better world; others are unfunny jokes from the darkest part of my soul! Together, they are my corona-diary, a personal documentation of these times from the perspective of an international student in Germany.

A cooperation of Eng Kai Er with MA Choreography and Performance, within the frame of Hessian Theatre Academy

• Performance
• Abschlussstück

19.02.2021, Bühnchen3000, Theaterlabor, Gießen

"I Am a Strange Loop" is an online radio show curated and presented by Monica Vlad for Black Rhino Music, a radio station based in Bucharest, happening twice a month. Sara Trawöger aka Abrupt got invited to do a 1 hour mix containing her own produced music on the 14th of September.

Check the link for further information and to listen to previous artists: https://blackrhinomusic.ro/radio/shows/i-am-a-strange-loop

• Radio play / Audio work

Performances

• 14.09.21, 5pm, Black Rhino Music, Radio Bucharest

Director/Performance: Niels Wehr
Dramaturgy: Ricarda Hillermann
Outside-Eye: Marie Meyer
Light/Tech: Frithjof Gawenda
Camera: Eva Kirsch, Roman Kuskowski, Ricarda Hillermann, Marie Meyer
CGI: Roman Kuskowski

• Performance
• Final piece

Performances

20. - 21.04., Mousonturm Instagram Account Only:

https://www.instagram.com/mousonturm/

LOSE COMBO feat. Sonar Quartett After having to be postponed twice, the materials of LOSE COMBO’s most recent work has been stowed into digital containers. Some of which are now accessible on the web: as ATLAS' WIRBEL | CONTAINER. In April, the Reinbeckhallen in Oberschöneweide became a performative laboratory for LOSE COMBO’s cartographic experiment. Together with Sonar Quartett countless mythological, literary, etymological, anatomical and geographical entanglements of Atlas were explored. In their lectures, Claudia Splitt and Florian Feigl tell of remote volcanic islands and rare birds, of Greek gods, ancient historians and postmodern encyclopedias, referring to anecdotes and geographical descriptions. While the musicians of Sonar Quartett navigate through Jörg Laue's cartographic composition STRICH, based on the first Portolan map, the so-called Carta Pisana. The CONTAINER version of ATLAS’ WIRBEL invites its audience to browse through 9 to 17 minute sequences of materials and remixes that accentuate different aspects of the work. Insights to scores and text materials, video excerpts and tape recordings, as well as stagings of concerts and text performances. Instead of (or rather: bridging the gap to) a life performance, ATLAS' WIRBEL | CONTAINER will be unveiled on June 14th, 2021.

concept/space/text/sound/video Jörg Laue | performance Claudia Splitt / Florian Feigl | Sonar Quartett Susanne Zapf (Violin), Wojciech Garbowski (Violin), Nikolaus Schlierf (Viola), Konstantin Manaev (Cello),technical supervision/lighting Fabian Bleisch |audio engineering Mattef Kuhlmey | video- and programming Florian Fischer | artistic support Johanna Ackva / Nina DeLudemann |production mgmt M.i.C.A. – Movement In Contemporary Art, Raisa Kröger / Katharina Meyer | PR Fellow Publishing - Johannes Fellmann |graphic design Carmen Klaucke Container: camera Maximilian Hilsamer | editing Jörg Laue |sound Mattef Kuhlmey / Jörg Laue | webdesign Christopher Martin A LOSE COMBO production, in cooperation with Sonar Quartett, funded by Senatsverwaltung für Kultur und Europa and initiative neue musik berlin e.V., in cooperation with Stiftung Reinbeckhallen

• A Performative Cartographie’s Provisional Archive
• Premiere

The Ensemble S201 and artist Kanade Hamawaki are going to present a film "frag mich 2 mal"(ask me twice) and bring art and new music out of their closed contexts: critical discussions with everyday life collide with balloon performances and screeching woodwinds. The question of the relationship between one's own and other worlds is posed and encouraged to speculate about life and death.

Kanade Hamawaki, Ensemble S201

Sunday, January 31 1pm
https://www.youtube.com/channel/UCoMJChwM6J5PUWqgkWwg7wg

• Film
• Premiere

(c) Kanade Hamawaki

(c) Kanade Hamawaki

(c) Kanade Hamawaki

(c) Kanade Hamawaki

Dust: work or aesthetics? Dust is everywhere, autonomous – as gray dust mice or in smallest particles – it floats through our lives. As the color of all colors, it reveals itself to be a medium, material or disturbance – and fills vacuum cleaner bag after vacuum cleaner bag.

äöü take a closer look at the "Black Box" brand and dissect this dirty, grey and small-scale archive of our everyday lives. A search for the beauty of dust, for form and content, life and death, wage labor and gender, magic and engineering.

Dust: an operetta, a vacuum cleaner concert, explosions of light.

• Performance

Konzept & Performance: äöü (Patricia Bechtold / Johannes Karl)
Bühne & Kostüm & Performance: Eunsung Yang
Spezialeffekte & Performance: Carlos Franke
Dramaturgie: Franziska Schneeberger
Mentorat: Frauke Meyer, Bernhard Siebert

Performances

• Sep 01, 2021, 7pm, Hauptsache Frei#7 | Hamburger Sprechwerk

During the Corona pandemic, something strange is happening in a theatre somewhere in Germany: the empty auditorium is hitting puberty. In their short thriller “Body Boom Boom Brain”, PINSKER+BERNHARDT invite (indeed!) everyone over the age of 12 to explore fucking p*b*rt*y as the ultimate brain-body-killer of all human conditions. The theatre becomes a physical laboratory, in which growing pimples and pubic hair take over, while the staff tries to get to the bottom of this absurd spectacle. _{Digitaler Mousonturm} 

Body Boom Boom Brain // PINSKER+BERNHARDT
Konzept, künstlerische Leitung: Janna Pinsker und Wicki Bernhardt
Performance: Wicki Bernhardt, Frithjof Gawenda, Johannes Karl
Bühne und Objekte: Arnita Jaunsubrēna
Kostüme: Martha Pinsker
Musik: Jan Preißler
Sound: Max Smirzitz
Kamera: Cornelius Schaper
Schnitt: Janna Pinsker und Wicki Bernhardt
Künstlerische Mitarbeit/ Assistenz: Maria Werner
Produktionsleitung: Lisa Gehring
Licht: Matthias Rieker
Ton: Ingo Müller

• Film 
• Premiere

Performances

01.04. - 15.04. Digitaler Mousonturm

https://www.mousonturm.de/

• Performance

Gefördert durch die Hessische Kulturstiftung im Rahmen des Förderprogramms "Hessen kulturell neu eröffnen".

Aufführungen

Theatermaschine 2021

The choreographic piece Cotton flowers exist brings into dialogue the actual with the virtual and connects the materiality of the world with the capacity to imagine and create non existing landscapes. More precisely it is an attempt to explore what connects the practice of drawing, choreographing and walking. It brings into conversation three different forms of writing in three different scales: the writing on the surface of a notebook by drawing, on the floor of a stage by choreographing/dancing and what it is written on bodies while walking/strolling outdoors. My intention is to bring into light these highly idiosyncratic inner landscapes that have been inscribed into drawings and translate them into artificial landscapes/room installations. Using my drawings as scores I tried to translate the two dimensional images into moving images. The relation of the body to the cotton was the main agency that made possible the embodiment of the drawings. In the choreographic work Cotton Flowers exist, cotton is used as a material whose aesthetic value becomes the experience of the performance. But actually cotton is a symbol with economic and social connotations. It is a material that signals class and race. It is a symbol of struggle. Therefore,bringing into the performance the social, economic and political context of the cotton production in order to avoid the hyper – aesthetization of cotton was an imperative ethical responsibility. In October 2020, I visited northern Greece where the cultivation of cotton is very common and together with the film maker Artemis Anastasiadou, we interviewed and filmed the cotton producers of the neighbourhood I grew up. The focus of this research was to give voice to the cotton producers of three different generations reflecting on the socio – economic and political conditions of their micro society.

Concept, Choreography, Space: Maria Tsitroudi
Performance: Kai Er Eng, Maria Tsitroudi
Sound: Vincent Viala
Light/Video: Simon Lenzen
Photographic exhibition & Drawings: Maria Tsitroudi

Supported by HTA and the city of Frankfurt

• Performance

Picture: Talisa Frenschkowski

The guests are taken through an affective cartography of the city, woven between a lost and a regained sense of orientation: from someone’s narrative of childhood memories of war in Bosnia in a Frankfurt doll clinic to the conjuring of someone else’s Buenos Aires through opera singing in the streets of Bornheim, from redoing, at Frankfurt’s main cemetery, the steps walked many times in different latitudes to soundscapes that speak of lost, failed or awaited photographs from family and city archives.

Daydreaming the Archive is an (im)possible collaboration of a group of artists and post_migrants, who fail to meet as one group because of the pandemic and working conditions. Walking through the city they inquire into daydreaming as place-making in an urban space, how dislocated memories yield other ways of inhabiting the city, and how post_migrants become travelers in their own city.

It's possible to start at either Bornheim U Höhenstraße (only at 15:00) or at Hauptfriedhof (at 15:00 and 16:00).

Duration: Approx. 2h30

It's pay as you wish but reservation is required as places are limited: https://studionaxos.de/programm/ 

Project initiator: Diana De Fex
Co-Choreographers and facilitators: Olga Popova, Felipe dos Santos, Barbara Galego, Diana De Fex
Participants co-creators: Khabeer Singh, Debo Seabra, Dajana Kubat, Sol Crespo, Walter Castillo, and Bergie (pronounced ber-hy)
Dramaturgy research phase: Alice Nogueira
Dramaturgy production phase: Maria Tsitroudi
Mediator: Robert Klement

Film team: Khabeer Singh, Arnab, Luis Tutalcha, Tracey Parsons, Agni.
Production Management Consulting: Carmen Salinas
Website Design: Evelyn Rodriguez
Poster Image: Laura Bernhardt
Website Image: Olga Popova
Logo Design: Fabián Andrés Franco Márquez

In cooperation with studioNAXOS, with the support of NPN-STEPPING OUT NEUSTART KULTUR, Frankfurt Kulturamt, Frankfurt's Amt für multikulturelle Angelegenheiten (AMKA), Hessische Theaterakademie (HTA), Gießener Hochschulgesellschaft (GHG) and ID_Tanzhaus Frankfurt Rhein-Main.

• Radio play / Audio work
• Premiere

deep net fake hole dark rabbit is a lo-fi-archeology of being-online, addressing the internet as a space of orientation and of missing out, of connection and exclusion. Reconstructing her browser history, Caroline Creutzburg searches for gaps in order to retrospectively write herself into the biography of the www. Wrestling with user-generated online culture and big tech’s teflon-capitalism, the work aims for a protest beyond dystopian mainstream-platitudes.

The performance will be in German.

Konzept, künstlerische Leitung, Performance: Caroline Creutzburg 
Dramaturgie: Eva Königshofen 
Objekte: Clara Reiner 
Künstlerische Produktionsleitung: Carmen Salinas

• Performance

Performances

19.6. - 23.6.21, 20 Uhr, Künstlerhaus Mousonturm (Saal)

Festival "Für dich für dich für dich"

Carlos Franke: text, performance, equipment, light
Maren Küpper: dramaturgy, set design, lighting
Robert Läßig: Interaction Design, Lighting

• Performance

Performances

• 19.09.21, TNT (Marburg)

In summer 2019, the theater ensemble buehnendautenheims undertakes an unlikely tour through Germany. It travels as a hiking troupe, with a 100-year-old hay wagon stage across the country - from Dautenheim in Rhenish Hesse to Berlin. In their luggage they carry the stage play "The Great Theater of the World" by Pedro Calderón de la Barca. Every day, the ensemble covers 40 kilometers; every evening, they perform in marketplaces, outdoor swimming pools, and in front of churches and castles. 
The experiences of their journey are now transformed into a documentary theatrical Roadmovie. "DER WAGEN" offers an unusual glance at Germany, from the countryside to the city, from West to East, through the centuries.

With their specially built cinema bus, the buehnendautenheims repeat their journey from August 14 - 22, 2021. Along the itinerary of their baroque theater tour, they will once again stop at nine selected stations and show the experiences condensed into 90 minutes. 
Each stop will also be shown in the film. 
Popcorn and cold drinks will be available at the cinema store.

a Film by Dominik Hallerbach and Johannes Karl

• Performance
• Film

• 14 August 2021: Freilichtbühne Dautenheim, Rheinland-Pfalz 
• 15 August 2021: Ortenberg, Hessen 
• 16 August 2021: Blankenau, Hessen 
• 17 August 2021: Marksuhl, Thüringen 
• 18 August 2021: Ziegelroda, Sachsen-Anhalt 
• 19 August 2021: Mühlbeck, Sachsen-Anhalt 
• 20 August 2021: Schloss Wiepersdorf, Brandenburg 
• 21 August 2021: Klausdorf, Brandenburg 
• 22 August 2021: Berlin 

Nadine Bachmann, Julia Römpp, Kathrin Frech

• Installation 
• Master piece 

Performances

11.04., 12.04. Performance Lab

DISKURS is a festival at the interface between art and theory. Since 1984 it has been organized annually or biennially at the Institute for Applied Theater Studies in Gießen.

We confront the ongoing pandemic situation with the greatest possible permeability. Since the beginning of this crisis, the cultural scene has been riddled, conditioned, shaken and inspired by porosity. Therefore, this year we invite artistic, theoretical and conceptual positions that provide approaches to address the motto porous.

The diverse program of performances, installations, lectures and workshops will take place in hybrid form, both analog and digital, and invites citizens, students, art and culture professionals and researchers to exchange and discuss.

 

Let's Celebrate the Porous! Let's Stay Porous!

Team35:

Martin Müller, Greta Katharina Klein, Jannika Lösche, Kathrin Frech, Daniel Cordova, Leena Schnack, Paula Elena Noack, Nastya Dzyuban

 

 

DISKURS35 issupported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media, the Gießen Cultural Office, the Justus Liebig University Gießen, the AStA JLU Gießen, the Gießen University Society, the Gießener Hochschulgesellschaft and the Hessian Theater Academy.

 

 

 

 

 

• Festival

 

further info

https://diskursfestival.de 

https://www.instagram.com/diskurs35/

 

Abrupt ist das Soloprojekt von Sara Trawöger. Im März 2019 feierte sie ihren ersten Auftritt in der SSTR6 in Wien, wo auch ihr erstes Loop Tape via House veröffentlicht wurde. Letzten Sommer performte Abrupt im Tresor in Linz (Oberösterreich) und lässt auch online das Publikum mit ihrem Live Set - von verzerrter Gitarre und brüchiger Stimme gestützt - sanft in den Untergrund driften.

The concert can be re-watched via the following links:
https://www.dorftv.at/video/33470
https://www.youtube.com/watch?v=gtO_BlVwzxU&t=6s

• Concert

• 21.7.2020
  Tresor Linz
  canceled but not canceled - live broadcasting of sound art concerts and more without audience from Tresor Linz on Dorf TV

(c) Verena Mayrhofer

(Work report from the dislocated seminar)

With works by: Nazanin Bahrami//Judith Bethke//Lisa Birkenbach//Melina Brinkmann//Eva Budniewski//Barbara Luci Carvalho//Talisa Frenschkowski//Yinfu Gao//Eva Grund//Lisa Horvath//Greta Klein//Simon Lenzen//Luka Schreckenberger//Jean-Noël Lenhard//Alica Müller//Tina Muffler//Gala Naseva//Ruth Süpple//Jannis Wulle.

Documentation of the work is available on the WilsonstrasseFM website https://www.wilsonstrassefm.com/topoideologien 

From the scenic project "Lumpen Sammeln" in the summer semester 2020 under the direction of Patrizia Bach, various works have emerged, which have now been summarized in a magazine format.  

The Magazine is available via the following link. 

I am happy to invite you to a showing of an excerpt of my work "37" at Tanzfestival Rhein-Main in the frame of "Choreographische Werkstatt":

37 is a solo which deals with the relation between the concrete space and the concrete body, between watching and being watched and the always-already absent present. It takes place in the left-overs of the performance before which stays present in the traces of the past and as an imagination of some thing which is still to come. The grey in the space takes over, everything is in between. The spectator experiences 37 minutes of form and movement in different scales and distances and a dance which leaves behind the blurred outlines of what is not present.

https://www.tanzfestivalrheinmain.de/de/kalender/choreografische-werkstatt/

Dance Project
by Carina Premer with dramaturgical support by Anneliese Ostertag and Hanna Steinmeier

Past Performances

• 2019-11-03, Staatstheater Darmstadt – Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

ABRUPT is the solo-musicproject of Sara, the drummer of La Sabotage.
Don't miss the two upcoming shows in Austria:

12/12/2019 - VIENNA - Venster 99 - Falle [Tape Release] /w Sektstress. Abrupt.
FB Event: https://www.facebook.com/events/432341040805768/

12/19/2019 - LINZ - KAPUBar - Taperelease by States of Clay // Support by Johnny Geiger + Abrupt

Abrupt Music Channel
https://soundcloud.com/abruptchannel

Concert
by Sara Trawöger 

Past Performances

• 2019-12-12, Vienna - Venster 99
• 2019-12-19, Linz - KAPUBar

Analog 
Beschreibung 
Conny
Edding
Frithjof
Haus ohne Garten
Inschriften
Karte
Kante
Kontur
Leer
Legende
Legenden
Lonesome tree
Maria
Menschlos
Öffentlichkeit
Stille Örtchen
Pixel
Das Private ist Politisch
Realismus
Regeln
Route
Structures
Suche
Teile(n)
Wenn ich gehen, dann wohin
Zerfall
Zuhause

Installation
by Maria Huber, Conny Walter, Frithjof Gawenda 

Past Performances

• 2019-05-29, Prototyp

Dust everywhere. In the cracks of computer keyboards, on the leaves of our houseplants, in the fabric of your finest dress. No matter how often we remove it, it returns and reminds us how all living things turn into dust.
äöü takes a close look at this dirty, grey and tiny archive of our everyday life and transfers it into the vacuum cleaner bag "Black Box". They present a piece about nothing less than the great questions of form and content, life and death, magic and labour.

www.aeoeue.de

Performance 
by Konzept + Performance: äöü (Patricia Bechtold, Johannes Karl) / Bühne + Kostüm + Performance: Eunsung Yang / Spezialeffekte + Performance: Carlos Franke / Dramaturgie: Franziska Schneeberger / Mentorat: Frauke Meyer / Foto: Franziska Schneeberger

Past Performances

• 2019-10-26, premiere , Theater im Ballsaal Bonn, Frongasse 9, 53121 Bonn
• 2019-11-15, final project , Studiobühne Köln, Universitätsstraße 16A, 50937 Köln
• 2020-01-10, final project , FFT Düsseldorf, Kasernenstraße 6, 40213 Düsseldorf
• 2020-02-28, final project , studioNaxos Frankfurt
• 2020-02-29, final project , studioNaxos Frankfurt
• 2020-03-01, final project , studioNaxos Frankfurt
• 2020-09-12, final project , FAVORITEN FESTIVAL, Theater im Depot Dortmund
• 2020-09-13, final project , FAVORITEN FESTIVAL, Theater im Depot Dortmund

2nd of December till 6th of December 2019
ATW, Justus-Liebig University Giessen
@ the Georg Büchner Saal, Bismarkstr. 37, 35390 Gießen

Autumn school is part of the research network on the future of imaginary institutions, which was established by several partners (EEPAP, Lublin, Nomad Dance Academy Ljubljana, Institute for Applied Theatre Studies, Justus Liebig University, Giessen, BADCo, Zagreb, CollectivA, Cluj, Lokomotiva Skopje) and is supported by the Allianz Stiftung.

We are inviting young artists, students, professionals, writers and thinkers to engage together in the imagining of the alternatives of working and being together, reacting to the populist and nationalist wave in Europe. We would like to examine new institutionalization, practices and modes of producing, especially related to the work of the young artists, who are working in the increasingly but also precarious international field and at the same time fighting for the right to work and remain in their local surrounding, fighting nationalism and populist pressure. We will exchange and share models and practices, current and historical one, which insist on the creation of experiments, feminist, radical and progressive practices, which insists on equality, solidarity and work against the populist political imagination.
The school is developed as a platform, where young artists and students, who are at the end of their studies or just finished, can meet other cultural workers and thinkers, who have a strong political and social agenda. How to discuss about the political and cultural needs together, how to practice solidarity, support and inclusion? How to think about the internationalization in the time, which is marked by a flow of commodities and neo-liberal globalization? What does it mean to work and study internationally in the time of the art market and its accelerated modes of evaluation? Can we develop new temporal modes of working and thinking and how can we learn from each other?

Participants: The participants will be, among others, Dragana Alfirević, Miki Braniste, Ana Dubljević, Ida Daniel, Valeria Graziano, Viktorija Ilioska, Goran Injac, Katarzyna Kania, Marta Keil, Joanna Krakowska, Romuald Krężel, Bojana Kunst, Livia Piazza, Iulia Popovici, Goran Sergej Pristaš, Tanja Šljivar, Solidarity for Theatre, Swoosh Lieu, Biljana Tanurovska-Kjulavkovski, Zrinka Užbinec, Rok Vevar, Ana Vujanović.

Please note that some seminars and discussions are public and others are closed. Check our timetable for further information.

Lecture
by Prof. Dr. Bojana Kunst and students 

Past Dates

• 2019-12-02, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-03, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-04, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-05, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU
• 2019-12-06, Georg Büchner Saal, Bismarckstr. 37, 35390 Gießen, JLU

der grosse tyrann (the great tyrant) is a feminist performance collective made up of Liliane Koch and Maude Hélène Vuilleumier that deals with feminine self-staging and self-presentation in a humorous way. In AVE MARIA, der grosse tyrann goes out in search for the most holy of feminine idols, the most portrayed woman in the world: Maria. They begin to investigate their own behavioural patterns. 

Hail Mary, full of grace, blessed are you among women. You are written into me, a Western-Christian influenced woman. You are the idol that I never wanted, the mother, that I never asked for. You gave me my endless empathy, my acquiescence and the beguiling smile with my head tilted at an angle. But have you ever laughed properly? And what will we find, when we look under your royal blue skirt? Holy Mary, pray for us sinners who love to sin. Now and in the hour of our death. Amen.

Performance
by der grosse tyrann

Künstlerische Leitung: Liliane Koch und Maude Hélène Vuilleumier
Von und mit: Katja Brunner, Marlena Kellogg, Liliane Koch, Sophia Scherer, Maude Hélène Vuilleumier
Musik/Komposition: Bruno Tambascio Waine
Konzept und Song: Magda Drozd
Entwicklung: Timo Krstin
Outside Eye: Benedikt Grubel, Timo Krstin
Licht, Ton: Frithjof Gawenda
Lichtkonzept: Robert Zeigerman
Gefördert von: Hessische Theaterakademie, Gerda Weiler Stiftung, Kulturamt Gießen, Justus-Liebig-Universität, Institut für Angewandte Theaterwissenschaft, Waggonhalle Marburg

Past Performances

• 2019-06-16, final project , F°LAB Festival, Frankfurt LAB

How does decolonizing the personal and collective intimacy sound like?

Touching – an act of transmission – has become somewhat desensitized, associated with boundaries and relegated to the negative. Being With Sound Through The Tension Of Desire is a work that attempts to reappropriate touch and to celebrate inter-dependency, vulnerability, closeness, disorientation, and trust, as forms of collective decolonial resistance.

Two bodies will compose, perform and deconstruct sound through the use of touch as a primary compositional element, asking itself in the process - how touch can be decolonized and reclaimed as a form of care, connection and transmission, a positive reinforcement, a constructive act that surpasses the purely physical spheres, an act which in such a context is undeniably political.

Performance
by Nguyễn + Transitory (Nguyễn Baly und Tara Transitory) 

Past Performances

• 2019-01-26, SAVVY Contemporary, Berlin

Puppet theater
by F. Wiesel (Hanke Wilsmann & Jost von Harleßem)/ Performance: Stephan Dorn / Sounddesign: Rupert Jaud / Künstlerische Mitarbeit Bühne: Ute Freitag, Friederike Schmidt-Colinet / Künstlerische Mitarbeit Figurenspiel: Caroline Kühner / Kostüm: Sandra Li Maennel /Medien-Skulpturen: Alexander Buers / Produktion: Heidrun Schlegel 

Past Performances

• 2019-04-27, Künstlerhaus Mousonturm,Frankfurt am Main
• 2019-04-28, Künstlerhaus Mousonturm, Frankfurt am Main
• 2019-04-29, Künstlerhaus Mousonturm, Frankfurt am Main
• 2019-09-12, Theater Roxy Birsfelden/Basel
• 2019-09-13, Theater Roxy Birsfelden/Basel

The work "Bird Bird, Touch Touch, Sing Sing" celebrates inter-dependency, vulnerability, closeness, disorientation, and trust, as forms of collective decolonial resistance.

A quiet coup attempting to displace the structural imbalances, to disorientate geographies, and to find space for silenced narratives. An (auto)reflexive re-evaluation of the unquestionable hierarchy of values imposed unto Us, a living work which attempts to embody extantation – to persist on existing despite conditions that favour its imminent extinction. In this work, the performers attempt to create another reality - through touching, proximity, and movements, that is not pre-choreographed but created in the moment by the circumstances within the process of creating the sound and by the movements of the performers+audience becoming a collective body - a space of disassociation unloaded with the social constructs associated with the politics of touch found in the modern world and the geography associated with it. Where to choreograph, compose and perform in this case, goes beyond the narrow confines of artistic concepts and aesthetics, existing in both the space of the ethereal and the space of an immersive installative performance. To process feelings, thoughts and intentions on the peripheral spectrum between the knowing and the unknowing, Nguyễn + Transitory hope to be one of the few ways left to reconnect with lost magic.

Performance
von Nguyễn + Transitory

Bisherige Aufführungen

• 8.9.2019, Premiere , Performing The Museum 2019, Serralves Museum, Porto
• 20.9.2019, Ultima Festival 2019, Oslo
• 26.9.2019, STUK, Leuven
• 27.9.2019, STUK, Leuven
• 14.11.2019, HeK, Basel

Installation
by die apokalyptischen tänzer*innen 

Past Performances

• 2019-04-11, THEATER RAMPE Stuttgart im Rahmen des 6 Tage Frei Festivals
• 2019-04-12, THEATER RAMPE Stuttgart im Rahmen des 6 Tage Frei Festivals

The music theater piece "Castor&&Pollux" interconnects Jean-Philippe Rameaus baroque opera telling the ancient myth on the love between two siblings and their wish for immortality with its contemporary counterpart from the tech-utopias deriving from the Silicon Valley. A multi media piece on desire, hybris and companionship with film sequences and spacial sound composition (4DSound) by Lukas Rehm (music, video, conception), Lisa Charlotte Friederich (staging, libretto, conception) and Jim Igor Kallenberg (dramaturge, interviews, conception). www.castorundundpollux.de

Production
by Lisa Charlotte Friederich (MA ATW), Jim Igor Kallenberg, Lukas Rehm (Diplom, HfG Karlsruhe) 

Past Performances

• 2019-04-02, final project , Alte Aula Heidelberg
• 2019-04-03, final project , Alte Aula Heidelberg
• 2019-04-04, final project , Alte Aula Heidelberg
• 2019-04-05, final project , Alte Aula Heidelberg
• 2019-04-06, final project , Alte Aula Heidelberg
• 2019-04-07, final project , Alte Aula Heidelberg

I will break it down with an example. Your phone rings in the middle of the night and a machine made voice is saying: I’m gonna kill you in less than 5 minutes with a gun!
Which one is more important for you: staying alive or understanding who’s voice it is?
„Clap Hands! – how to disappear completely“ is a theatre machine which is developed and organized to become an artist itself and make theatre without demand. It will transform electric intensity into an artistic approach.
Duration: ca. 40 minutes
With: Ozi Ozar, Carina Premer

Performance
by Carina Premer 

• Past Performances
• 2019-05-31, GBS

A lecture-performance fruit of the collaboration between Li Lorian (Jerusalem) and Marc Villanueva Mir (Barcelona). What starts as a lecture on spatial conceptualization of utopian and dystopian thinking, transforms into a travel through personal archives, political statements, accents, screenshots, bookmarks, subtitles and voice-overs. Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us.

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2019-02-02, FACT - Festival of Theatre Academies, Budapest, Hungary
• 2019-02-21, Teatro Pradillo, Madrid, Spain
• 2019-02-22, Teatro Pradillo, Madrid, Spain
• 2019-02-23, Teatro Pradillo, Madrid, Spain
• 2019-06-08, Städtische Galerie Bremen · Outnow! Festival

Cowgirls Cindy, Mindy and Pindy don't know what to do anymore- besides their efforts they are receiving one rejection after an other. Big City Cowgirl Cindy wonders around town while Pindy finds mysterious hints which lead nowhere in the prairie of Hessen, Mindy is on her way to France where she got a big funding for her film- but what will await her there? How do the three lonely Cowgirls handle their situations or was it all an imagination in the end?

language: german
duration: 45 min

Film
by Stella Nikisch Mit: Nathalie Schatz, Carlotta Nikisch, Stella Nikisch, Friederike Moraht, Luis Krawen, Valentin Schroers, Mark Waschke, Julian Hölting, Lucie Finke, Thao Tran, Leonie Hahn, Nikolas Stäudte, Ursel Hocke und Ralf Nikisch. 

Past Performances

• 2019-12-10, final project , Moviemento Berlin (Kottbusser Damm 22, 10967 Berlin)

Perde | Curtain | Vorhang - Annika Restin & Tümay Kılınçel
@ BIOWOMAN #12 - RITUAL: 29.03.19 - 06.04.19
06/04/19, 7pm - 2am @ Nacht der Museen Düsseldorf
http://www.christuskirche-duesseldorf.de/
https://www.facebook.com/biowoman12/

Exhibition
by Annika restin & Tümay Kılınçel 

Past Performances

• 2019-03-29, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-03-30, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-03-31, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-01, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-02, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-03, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-04, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-05, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-06, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf
• 2019-04-06, Christuskirche Düsseldorf Kruppstr. 11, 40227 Düsseldorf

Performance
by Ruby Behrmann/ Liliane Koch 

Past Performances

• 2019-02-15, premiere , Mousonturm

*

The project Dansöz aims to locate ‘oriental dance(s)’ as a serious dance genre in the Western European art landscape and to develop an artistic positioning to it. The ‘belly dance’ is its central motif, including, among other things, the orientalist, eroticized and exoticized image of women and its detoxification from a feminist perspective. The aim is to create a space and a language of self-empowerment based on the ‘belly dance’ style and to bring it to the agenda of the dance scene as a ‘serious’ and/or ‘artistic’ and emancipated dance genre. 

Artistic Direction & Performance: Tümay Kılınçel
Dramaturgy: Berna Kurt
Outside Eye: Sherin Hegazy
Light Design: Camilla Vetters
Musik: Ya Tosiba
Live Musik: Leila Moon
Technical director: Jost von Harleßem
production: Eva Kern (produktionsDOCK)

Treibstoff Theatertage Basel, Kaserne Basel
Thursday, 29th August 2019, 7pm Premiere
Saturday, 31st August 2019, 9pm
Sunday, 1st September 2019, 5pm

-> 
http://produktionsdock.ch/projects/dansoez/
http://www.treibstoffbasel.ch/

Performance
by Tümay Kılınçel 

Past Performances

• 2019-08-29, premiere , Treibstoff Festival - Rossstall Kaserne Basel
• 2019-08-31, Treibstoff Festival - Rossstall Kaserne Basel
• 2019-09-01, Treibstoff Festival - Rossstall Kaserne Basel

Production
by Glogowski / Hoesch 

Past Performances

• 2019-04-11, Stadttheater Gießen, taT
• 2019-04-26, Stadttheater Gießen, tAT
• 2019-05-16, Stadttheater Gießen, tAT

Performance
by maxi zahn erarbeitet in zusammenarbeit mit: maximilian brands, jens eschert, sharon jamila hutchinson, eva königshofen text: maxi zahn kostüm: kristin gerwien musik: harold, falko schnelle, sara trawöger 

Past Performances

• 2019-07-12, final project , Georg-Büchner-Saal Gießen
• 2019-07-13, final project , Georg-Büchner-Saal Gießen

- eine begehbare Audioinstallation im TNT vom 28.6.-14.7.
Fr/Sa 28./29.6. und 5./6.7. und 12./13.7 jeweils 19-22 Uhr
So, den 7. und 14.7. jeweils 16-19 Uhr

Installation
by Eine Produktion des TNT Marburg, von und mit Katrin Hylla, Ole Wufers, Doreen Kutzke u.a. 

Past Performances

• 2019-06-28, TNT Marburg, Afföllerwiesen 3 A, 30839 Marburg

www.facebook.com/buergerbuehnewipfeld

Production
by Corinna Huber (Dramaturgie), Ralf Schramm (Bühne), Max Sauer (Inszenierung) mit Bürger_innen aus Wipfeld | Ein Projekt der Bürgerbühne Wipfeld 

Past Performances

• 2018-06-09, premiere , Marktplatz Wipfeld

Mit freundlicher Unterstützung der Stadt Gießen, Stadt Frankfurt, HTA, Mousonturm.Im Rahmen des Tanzfestival Rhein-Main.

Performance
by Künstlerische Leitung: Kristin Gerwien. Performance: Philip Albus, Antonia Beeskow, Kristin Gerwien, Clara Reiner, Sara Trawöger. DJ: OneMoe, Licht: Lea König, Mitarbeit Licht: Jakob Boeckh, Maria Huber. Mitarbeit Bühnenbild: Till Korfhage, Sara Trawöger, Tontechnisches Konzept: Jörn Nettingsmeier. Inhaltliche Begleitung / Dramaturgie: Hanna Steinmair. Produktionsleitung: Martin Bien. Bildmotiv: Luis August Krawen 

Past Performances

• 2018-11-10, premiere , Frankfurt LAB, Halle 2
• 2018-11-13, Frankfurt LAB, Halle 2
• 2018-11-14, Frankfurt LAB, Halle 2

Lecture
by Prof. Heiner Goebbels

Past Dates

• 2018-04-10, Special Occasion , Biologischer Hörsaal (Raum 232), Hauptgebäude der JLU, Ludwigstr. 23, 35390 Gießen

From the outside, A B S A T Z 
is a box. It invites you to discover its monolithic architecture. Inside, there is intimate quiet solitude. If you follow the pull of light, you can meet the protagonist from Kafka's story „The Cares of a Housefather", the word O D R A D E K. It scurries through the picture, rustles in the wall, tells its story and demands a turnaround at the end. The whole thing looks senseless enough, but in its own way perfectly finished.

walk-in installation for one person // in german // duration per visitor: 10 minutes

construction: Simon Oehrle // technicians: Florian Dobener, Asja Mahgoub

HTA Tag
by äöü (Bechtold, Karl) 

Past Performances

• 2018-10-20, HTA Tag | Frankfurt LAB

Performance
by Kozept, Regie, Performance, Text: Dorn ° Bering (Stephan Dorn und Gesa Bering) | Ausstattung: Kathi Sendfeld 

Past Performances

• 2018-07-04, Belluard Bollwerk Festival | Fribourg (Schweiz)
• 2018-07-05, Belluard Bollwerk Festival | Fribourg (Schweiz)

Audio Play
by Matthias Jochmann

Past Performances

• 2018-06-06, premiere , Rundfunk Berlin-Brandenburg

ATW TALKS
WED 7/3/2018
6:00 PM
A 118

ALICE CHAUCHAT, VALENTINA DESIDERI, AND GEORG DÖCKER
TALK ABOUT THE PRACTICE OF PRACTICE

Roughly since the mid-2000s, French choreographer Alice Chauchat and her Italian colleague Valentina Desideri, along with other practitioners such as Jennifer Lacey or Myriam Lefkowitz, have been engaging in the creation and sharing of performative practices. Being organised in the form of a loose, open network, they have been using the frameworks of workshops, residencies, and similar formats in order to develop a mode of performative exploration that is no longer centred around the idea of performance as in presenting an event to an audience. Instead, their practices aim at the facilitation of an aesthetic, ethical, or socio-political experience based on two or more participants unfolding mostly task-based actions in direct exchange with each other.

Although their approaches are situated at the margins of the contemporary performing arts, they have proven to be influential for a younger generation of graduating students who, these days, equally seem to question the very value and purpose of performance making. In a conversation with ATW member of staff Georg Döcker, Alice and Valentina will discuss the beginnings of their working with practices as well as their opinions on the further potential of practice-based work.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre, and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for intense, extensive, and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

***

ATW TALKS, EDITION NO. 20, Wednesday, 7/3/2018, 6:00 PM
Institut fuer Angewandte Theaterwissenschaft, Room A 118
Karl-Gloeckner-Strasse 21, Phil. II, Haus A, D-35394 Giessen
Concept and organisation: Georg Doecker
Moderation: ATW members of staff
More about the ATW TALKS on WWW.ATW-GIESSEN.DE

Lecture
by ATW TALKS 

Past Performances

• 7.3.2018, A 118 

ATW TALKS
EDITION NO. 21
WITH ALEXANDRA BAUDELOT AND BERNHARD SIEBERT
MAY 09, 7.00 PM
OLD UNIVERSITY LIBRARY; ROOM AUB 4
BISMARCKSTRASSE 37, 35390 GIESSEN

“MAKING INSTITUTIONS POROUS” : CONDITIONS FOR THE PRODUCTION OF ART AND THE ART OF PRODUCING — Since 2013, Alexandra Baudelot, together with her colleagues Dora García and Mathilde Villeneuve, is co-director of Les Laboratoires d’Aubervilliers, an arts centre located in the banlieues of the north of Paris—an industrial workers melting pot and immigration hub. This exceptional place for art and research, projects and theory welcomes, as the team puts it, artistic practices rather than artistic disciplines. And more importantly, at les Labos, art is confronted with what happens outside of the artistic context, relating artistic practice to the neighbourhood and to the people who live in Aubervilliers.

In EDITION NO. 21 of the ATW TALKS, Alexandra Baudelot will discuss les Labos’ approach to the production of art and the art of producing with ATW member of staf Bernhard Siebert. The talk will present the institution in Aubervilliers including some of the artistic projects that have been developed at the location in the last years. Moreover, the discussion will aim for more general questions, touching on the possibilities and limits of site-specifcity, on the expectations of artists, producers, and audiences in this context, and on ideal working and co-working conditions for artistic production.

— ATW TALKS EDITION NO. 21 : Wednesday, 9/5/2018 7.00 PM : Institut fuer Angewandte Theaterwissenschaft Room AUB3 Bismarckstr. 37 D- 35390 Giessen : Concept and organisation Georg Doecker : Moderation ATW members of staff 

Lecture
by ATW TALKS 

Past Dates

• 2018-05-09, AUB 4, Bismarckstraße 37, 35390 Gießen

ATW TALKS
EDITION NO. 22
WITH DANIEL BLANGA-GUBBAY
AND BOJANA KUNST

—THE WHITE HOLE AND OTHER STORIES. ALEPPO, A PLATTFORM FOR THE ARTISTIC AND THEORETICAL ENGAGEMENT WITH PERFORMANCE AND POLITICS—

Aleppo is not only the name of a city in Northern Syria, but also that of an independent, Brussels-based performing arts project founded by researcher and curator Daniel Blanga Gubbay. Every season, Aleppo opens a free and public program of artistic interventions, performances, lectures, screenings, and reading groups emerging from a specific question with political relevance. This particular format was inspired by the science-fiction astronomic model of the “white hole,” which, similar to the black hole, denotes a fracture of space, but as opposed to the black hole, the white hole releases energy in a continuous manner instead of absorbing it. The white hole unleashes a stream of unsolved questions from a specific point, around which a series of people might gather.

Starting from this conceptual framework of Aleppo, Daniel Blanga Gubbay will discuss the various activities of Aleppo as well as questions about the institution, the notions of dependency, and time. What are the institutional and temporal preconditions for coming together in order to engage, metaphorically speaking, in the production of white holes? The conversation will be chaired by ATW professor Bojana Kunst.

— ATW TALKS EDITION NO. 22 : Wednesday, 13/6/2018 7.00 PM : Institut fuer Angewandte Theaterwissenschaft : Room AUB4 Bismarckstr. 37 D-35390 Giessen : Concept and organisation Georg Doecker : Moderation ATW members of staff :

Lecture
by ATW TALKS 

Past Dates

• 2018-06-13, ATW

Performance
by Choreographie, Text und Performance: Fabrício Belzoff
Dramaturgie: Florence Ruckstuhl, Leander Ripchinsky
Kostüm und Objekte: Johanne Schröder
Ton: Antonia Alessia Virginia Beeskow
Licht: Jost von Harleßem
Choreograpische An­sprech­part­ne­rin: Zrinka Uzbinec

Past Performances

• 2018-12-12, premiere , taT-studiobühne des Stadttheater Gießen
• 2018-12-13, final project , taT-studiobühne des Stadttheater Gießen

Production
by Inszenierung, Text, Bühne: Jost von Harleßem (ATW) | Musikalische Leitung: Christian Keul | Kostüme, Bühne: Katharina Sendfeld (ATW) | Dramaturgie: Björn Mehlig |Assistenz: Léon Haase (ATW) | mit: Ewa Rataj, Pascal Thomas, Lotta Hackbeil, Sebastian Songin | Schlagzeug: Joe Bonica | Posaune: Andreas Jamin

Past Performances

• 2018-04-12, final project , taT-studiobühne, Stadttheater Gießen
• 2018-04-21, final project , taT-studiobühne, Stadttheater Gießen
• 2018-04-21, taT-studiobühne, Stadttheater Gießen
• 2018-05-13, final project , taT-studiobühne, Stadttheater Gießen
• 2018-05-25, final project , taT-studiobühne, Stadttheater Gießen
• 2018-06-07, final project , taT-studiobühne, Stadttheater Gießen
• 2018-06-21, final project , taT-studiobühne, Stadttheater Gießen

Scenic Project
by Teilnehmer*innen des szenischen Projekts "Choreographing Text - Speaking Dance - Moving Sounds" bei Martina Ruhsam 

Past Performances

• 2018-04-18, tba

A lecture-performance fruit of the collaboration between Li Lorian (Jerusalem) and Marc Villanueva Mir (Barcelona). What starts as a lecture on spatial conceptualization of utopian and dystopian thinking, transforms into a travel through personal archives, political statements, accents, screenshots, bookmarks, subtitles and voice-overs.
Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us.
Using the performative power and discourse that both utopia and dystopia nowadays entail, we explore interferences between actual and ideal, politics and literature, reality and fiction, spaces and places, in order to revisit the cities and landscapes we come from and our concerns with them, and to question the role they play in constituting our sense of home and notion of belonging. 
By and with Li Lorian & Marc Villanueva Mir
Dramaturgy Ia Tanskanen
With the support of Festival der jungen Talente, Frankfurter Kunstverein, Gießener Hochschulgesellschaft and Institut für Angewandte Theaterwissenschaft

http://2018.festivaljungertalente.de/

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2018-05-04, premiere , Kunstverein Frankfurt
• 2018-05-05, Kunstverein Frankfurt

Performance
by Helen Brecht und Jacob Bussmann unterstützt von: Janina Arendt, Kristin Gerwien, Tanja Kodlin, Maxi Zahn 

Past Performances

• 2018-12-20, ArtLab, Max-Planck-Institut für empirische Ästhetik Frankfurt

Correspondence #1 aims to draw a visual and conceptual journey between Jerusalem, Barcelona and Gießen; a collage of memories, observations and representations of the multiple and complex realities we inhabit and that at the same time inhabit us. Using the performative power and discourse that both utopia and dystopia nowadays entail, we explore interferences between actual and ideal, politics and literature, reality and fiction, spaces and places, in order to revisit the cities and landscapes we come from and our concerns with them, and to question the role they play in constituting our sense of home and notion of belonging. By and with Li Lorian & Marc Villanueva Mir Dramaturgy Ia Tanskanen With the support of Festival der jungen Talente, Frankfurter Kunstverein, Gießener Hochschulgesellschaft and Institut für Angewandte Theaterwissenschaft

Performance
by Li Lorian & Marc Villanueva Mir 

Past Performances

• 2018-10-20, HTA Tag, Frankfurt Lab

Performance
by Dorn ° Bering

Past Performances

• 2018-05-28, premiere , Theater Drachengasse | Wien
• 2018-05-29, Theater Drachengasse | Wien
• 2018-05-30, Theater Drachengasse | Wien
• 2018-05-31, Theater Drachengasse | Wien
• 2018-06-01, Theater Drachengasse | Wien
• 2018-06-02, Theater Drachengasse | Wien
• 2018-06-05, Theater Drachengasse | Wien
• 2018-06-06, Theater Drachengasse | Wien
• 2018-06-07, Theater Drachengasse | Wien
• 2018-06-08, Theater Drachengasse | Wien
• 2018-06-09, Theater Drachengasse | Wien
• 2018-06-12, Theater Drachengasse | Wien
• 2018-06-13, Theater Drachengasse | Wien
• 2018-06-14, Theater Drachengasse | Wien
• 2018-06-15, Theater Drachengasse | Wien
• 2018-06-16, Theater Drachengasse | Wien
• 2018-07-04, Belluard Bollwerk Festival | Fribourg (Schweiz)
• 2018-07-05, Belluard Bollwerk Festival | Fribourg (Schweiz)

Performance
by Harzer/Kleebaur 

Past Performances

• 2018-12-07, TNT, Theater neben dem Turm, german stage service, Marburg, Afföllerwiesen 3a

Desiring Powerlessness and Radical Change
Technologies of Power, Affect, and Judgement in the Dispositifs of Art and Theatre.

International Conference organised by the DFG-funded Research Project "Theatre as Dispositif", Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Giessen

Prof. Dr. Gerald Siegmund, Dr. Lorenz Aggermann, Georg Döcker, M.A.

April 12-14, 2018, Giessen, Germany

Contact: georg.doecker@theater.uni-giessen.de / lorenz.aggermann@theater.uni-giessen.de

No registration required

Location: Margarete-Bieber-Saal, Ludwigstr. 34, 35390 Giessen

Full programme available on https://www.atw-giessen.de/en/research/conferences-symposia/desiring-powerlessness

Lecture
by Prof. Dr. Gerald Siegmund, Dr. Lorenz Aggermann, Georg Döcker, M.A. 

Past Dates

• 2018-04-12, Special Occasion , Margarete-Bieber-Saal
• 2018-04-13, Special Occasion , Margarete-Bieber-Saal
• 2018-04-14, Special Occasion , Margarete-Bieber-Saal

Production
by Laurenz Raschke
Kajetan Skurski


studiobeisel.com

Ketzerbach 42 Marburg

Past Performances

• 2018-10-04, Studio Beisel Ketzerbach 42 Marburg studiobeisel.com

Performance
by Janna Pinsker und Wicki Bernhardt 

Past Performances

• 2018-05-08, Mousonturm, im Anschluss an ROOMS von HELLA LUX
• 2018-05-08, Mousonturm, im Anschluss an Apollon von Florentina Holzinger
• 2018-05-09, Mousonturm, im Anschluss an ROOMS von HELLA LUX
• 2018-05-11, Bockenheimer Depot, im Anschluss an Eislermaterial von Heiner Goebbels, Ensemble Modern, Josef Bierbichler
• 2018-05-18, Bockenheimer Depot, im Anschluss an Out of Order von Forced Entertainment

At all locations of the institute

Please note three installations in advance:

Anne Mahlow und Asja Mahgoub would love to invite two persons at a time to Ballet of Knights at PB2. It could make sense to be a few minutes early. It can be visited on Feb 2nd between 10am and7pm. Please book a timeslot at doodle

http://doodle.com/poll/hnitd5wf2svmtvsu

There is a Walk-in Installation by Marie Meyer & Calendal Klose

Hea®ling Spa . Hea®ling Spa is opening it's doors

on Feb 1st between 4pm and 10pm and

on Feb 2nd between 4pm and 7pm

for only one person at a time. Choose your favourite time slot in the following doodle:

http://doodle.com/poll/2iz2dtw9gupctwnv

Please be at the basement door left side of the Audimax in time. Our staff will pick you up. It will take you about 20 min to experience Hea®ling Spa.

“Seesturm“ nach einem Gemälde von Adam Willaerts a durational loop by Rupert Jaud already opens Feb 2nd already at 6pm at Probebühnchen Schiffenberger Weg.

Scenic Project
by Studierenden des Instituts für Angewante Theaterwissenschaft unter der Leitung von Prof. Heiner Goebbels 

Past Performances

• 2017-02-02, Institut für Angewandte Theaterwissenschaft

Matej Bonin (*1986): “Shimmer II” (2017, world premiere)
Malte Giesen (*1988): “Surrugat/Extension” (2017, world premiere) for large ensemble, piano and keyboard
Ole Hübner (*1993): “Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer” (2017, world premiere) for large ensemble, audio playbacks and live electronics
Vladimir Gorlinsky (*1984): “Hymns and Laylas of Mascow Securalism” (2017, world premiere)
Andreas Eduardo Frank (*1987): “How to pronounce Alpha. Zwischenlaut und Überzahl” (2017, world premiere)

Transit, the passing from one situation to another, the aesthetic or social migration to a new territory which often remains an idea, which is sometimes reached but occasionally remains unattainable. From this year’s International Composition Seminar of the International Ensemble Modern Academy, five very different musical positions of younger composers have emerged: highly individual and idiosyncratic studies of time and space, studies on the constant movement of sounds and people, on changing locations and perspectives.

www.cresc-biennale.de/en/programme/2017-11-26/und-links-das-meer-internationales-kompositionsseminar

An event within the framework of cresc... Biennale für Moderne Musik in cooperation with Allianz Kulturstiftung.

Concert
by Ole Hübner (ATW), Matej Bonin, Andreas Eduardo Frank, Malte Giesen, Vladimir Gorlinsky, Ensemble Modern, Enno Poppe (Leitung), Norbert Ommer (Klangregie)

Past Performances

• 2017-11-26, premiere , Sendesaal des Hessischen Rundfunks Frankfurt am Main

Performance
by M O N S T R A | Künstlerische Leitung: Katharina Speckmann | Spiel: Gesa Bering, Katharina Speckmann | Ko-Regie: Kim Willems | Bühne, Kostüm, Grafik: Ajda Tomazin | Dramaturgie: Arnita Jaunsubrēna | Musik: Figen Aksoy, David Rittershaus |Mentor: Ralf Kiekhöfer (Theater Töfte) | Mitarbeit: Christiane Holtschulte

Past Performances

• 2017-10-15, premiere , Theaterhaus Frankfurt
• 2017-10-16, Theaterhaus Frankfurt
• 2017-10-17, Theaterhaus Frankfurt
• 2017-10-18, Theaterhaus Frankfurt
• 2017-10-19, Theaterhaus Frankfurt
• 2018-04-11, Theaterhaus Frankfurt
• 2018-04-12, Theaterhaus Frankfurt
• 2018-04-13, Theaterhaus Frankfurt
• 2018-04-14, Theaterhaus Frankfurt

Performance
by Thomas Bartling, Jan Gehmlich, Dominik Meder

Past Performances

• 2017-09-23, Ringlokschuppen Ruhr
• 2017-09-24, Ringlokschuppen Ruhr

EDITION NO. 13
WITH MÅRTEN SPÅNGBERG AND BOJANA KUNST
JANUARY 20, 7.00 PM
KIOSK
NEUER KUNSTVEREIN GIESSEN
ECKE LICHER STRASSE, NAHRUNGSBERG
D-35394 GIESSEN

MORE INFORMATION FOLLOWING VERY SOON

WWW.ATW-GIESSEN.DE

Lecture
by ATW TALKS

Past Dates

• 2017-01-20, KIOSK, NEUER KUNSTVEREIN GIESSEN

WED 1/2/2017 / 6.00 PM / A118
VICTORIA PEREZ ROYO AND BERNHARD SIEBERT 
TALK ABOUT 
REINVENTING RESEARCH
ATW TALKS 
EDITION NO. 14
IN COOPERATION WITH
NEUER KUNSTVEREIN GIESSEN

What does artistic research look like in practice? And how, on the other hand, can academic research use artistic strategies to meet artworks? Victoria Pérez Royo, our guest for EDITION NO 14. of the ATW TALKS, has been creating contexts for artists’ research as well as researchers’ art investigations over the last years. At the intersection of politics, dance, performance and visualisation practices, she challenges the position of research itself in order to find a way to discuss productions, and production processes. Let’s talk experimental writing, institutional critique, and Roland Barthes on February 1 at 6.00 PM.

Victoria Pérez Royo is a performing arts researcher based in Berlin, and Madrid. She is the co-director of the M.A. program in Performing Arts Practice and Visual Culture in Madrid, and assistant professor of Aesthetics at the University of Zaragoza. As a guest professor, she has been invited to international B.A. and M.A. programs in the performing arts in Finland, Holland, Germany, Chile, Peru, Costa Rica, amongst others. Perez Royo is a member of the research association ARTEA. Recent publications comprise "Dirty Room" (with Juan Dominguez, in press), "Componer el plural. Escena, cuerpo, política" (with Diego Agulló, 2016), and “To be continued. "10 textos en cadena y unas páginas en blanco" (with Cuqui Jerez, 2012).

ATW TALKS / EDITION NO. 14 / Wednesday, 1/2/2017, 6.00 PM / ATW, Room A 118, Karl-Glöckner-Straße 21, Phil. II, Haus A, D-35394 Gießen

The ATW TALKS are a series of talks and lectures at the ATW, the Institut für Angewandte Theaterwissenschaft at Justus-Liebig-Universität Gießen. They have been taking place in a monthly interval since the end of 2015. The aim of the ATW TALKS is to create a forum for discussions on contemporary dance, theatre and performance, contributing to the academic and artistic discourse at the institute, in the city and in the Hessian theatre landscape. What is often considered an advantage of the ATW, will be equally true for the talks and lectures: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an open exchange with a critical perspective, for intense and extensive debates. Each edition of the ATW TALKS will be moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks and lectures will generally be conducted in English, on certain occasions though, they might be conducted in German or French.

In Winter 2016/2017, the ATW TALKS are being organised in collaboration with Neuer Kunstverein Gießen in the frame of Making Theatre Now, a series of events on the aesthetics of production in contemporary performance. Making Theatre Now is kindly supported by Gießener Hochschulgesellschaft and Kulturamt Gießen.

Concept and organisation: Georg Döcker / Moderation: Staff of the Institut für Angewandte Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-02-01, ATW

FRI 2/6/2017 • 4.00 PM • A 118

ATW TALKS
“WITH THE HAIR LOOSE"
DANAE THEODORIDOU AND GEORG DÖCKER
TALK ABOUT DRAMATURGICAL ACTIONS
IN NEOLIBERAL CAPITALISM

From 2013 to 2015, performance maker and researcher Danae Theodoridou, in collaboration with Konstantina Georgelou and Efrosini Protopapa, conducted a practice-based research project entitled „Dramaturgy at Work“ in theatres, universities and alternative spaces all over Europe. Through a series of workshops and discussions, the project explored dramaturgy, its key principles in contemporary practice and its political implications in the context of neoliberal capitalism. The results of the research were put together in a publication which was published under the title The Practice of Dramaturgy. Working on Actions in Performance (Valiz, 2017).

In EDITION NO. 15 of the ATW TALKS, Danae will be in Gießen to discuss the research process and the book with ATW member of staff Georg Döcker. The discussion will give special focus to the political agency of dramaturgy that can be deduced from the etymologically based redefinition proposed by the three researchers: dramaturgy deriving from the Greek terms “drama” (action) and “ergon” (work) constitutes, as they suggest, a process of working on actions and therefore touches economic procedures at its core. What does all that have to do with loose hair? Come and find out on June 2.

ATW TALKS • EDITION NO. 15 • Friday, 2/6/2017 •
4.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21,
Phil. II, Haus A,D-35394 Gießen

EDITION NO. 15 of the ATW TALKS takes place in the
frame of the festival Theatermaschine

Taking place in a monthly interval since the end of
2015, the ATW TALKS are an open format for
discussion organised by the ATW, the Institut für
Angewandte Theaterwissenschaft, Justus-Liebig-
Universität Gießen, Germany. The aim of the ATW
TALKS is to create a forum for debating contemporary
dance, theatre and performance, thereby contributing to
the academic and artistic discourse in the city, in the
Hessian performing arts scene and beyond. What is
often considered an advantage of the ATW is equally
true for the talks: hidden away from a general public
with its necessity for self-representation, the context in
Gießen offers a unique possibility for an intense,
extensive and critical exchange. Each edition of the ATW
TALKS is moderated by members of staff working at the
institute. Invitations are extended to artists and
academics from the performing arts and affiliated
disciplines. The talks are generally conducted in English,
on certain occasions though, they might be held in
German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte
Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-06-02, A 118

WED 28/6/2017 • 6.00 PM • A 118
ATW TALKS
HENDRIK FOLKERTS AND BOJANA KUNST 
TALK ABOUT PERFORMANCE AND EXHIBITION, SCORES AND DOCUMENTA 14

For EDITION 16 of the ATW TALKS, we are delighted to welcome documenta 14 curator Hendrik Folkerts in Gießen. Based in Kassel, Hendrik contributes to the exhibition based on his expertise on art practices from Central and Southeast Asia and the Pacific region as well as his longstanding interest in performance, particularly the concept of the score and its capacity to interweave different practices. In a recent article he posited that the score is the element which trans-acts between visual language, enactment, the body, the space, yet it is also something that can be read to enact in a variety of ways. Along these lines, Hendrik and ATW professor Bojana Kunst will debate the particular present relation of performance and visual arts:

How to think about the role of the exhibition in the (re-)enactment of the score and how does the score influence the concept of the exhibition? How does performance re-appear in the scope of documenta? Does the interest in the score correspond to the concept of organising documenta in two cities, that is in Kassel and Athens? Before Hendrik joined the documenta team, he worked at Stedelijk museum in Amsterdam for five years, curating the performance, film and discursive programs. In October 2017, he will start as Dittmer Curator of Modern and Contemporary Art at the Art Institute of Chicago.

ATW TALKS • EDITION NO. 15 • Friday, 2/6/2017 •
4.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21,
Phil. II, Haus A, D-35394 Gießen

EDITION NO. 15 of the ATW TALKS takes place in the
frame of the festival Theatermaschine

Taking place in a monthly interval since the end of
2015, the ATW TALKS are an open format for
discussion organised by the ATW, the Institut für
Angewandte Theaterwissenschaft, Justus-Liebig-
Universität Gießen, Germany. The aim of the ATW
TALKS is to create a forum for debating contemporary
dance, theatre and performance, thereby contributing to
the academic and artistic discourse in the city, in the
Hessian performing arts scene and beyond. What is
often considered an advantage of the ATW is equally
true for the talks: hidden away from a general public
with its necessity for self-representation, the context in
Gießen offers a unique possibility for an intense,
extensive and critical exchange. Each edition of the ATW
TALKS is moderated by members of staff working at the
institute. Invitations are extended to artists and
academics from the performing arts and affiliated
disciplines. The talks are generally conducted in English,
on certain occasions though, they might be held in
German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte
Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-06-28, A118

MON 24/7/2017 • 6.00 PM • A 118
ATW TALKS
KATE MCINTOSH AND MARTINA RUHSAM
TALK ABOUT NON-HUMAN BODIES, AUDIENCE INVOLVEMENT
AND SELF-ORGANISED PRODUCTION

Whether the audience members are dismantling and reconstructing objects, whether they are pulling strings in order to make a sonorous stage set appear or whether they are touching things and materials that are then passed on from hand to hand: in several recent works, Kate McIntosh is curious about the audience-members themselves that she attempts to bodily involve into her performances. Since 2004, the Brussels based choreographer has developed a multifaceted corpus of performance-works for the stage and other spaces, all of them being driven by an interest in the body: be it human, non-human, in movement or involved in an experimental apparatus.

The affiliation of the individual and the communal is another crucial point in Kate's work, both on the level of performance and audience reception as well as on the level of production: together with a group of artists and art-workers she founded the structure SPIN, an artist-run support and research platform in Brussels.
Be welcome to EDITION NO. 17 of the ATW TALKS in which Kate and member of staff Martina Ruhsam will talk about practices of involvement and the crux with participation, the role that non-human bodies play in the works, and working processes of Kate and the nexus of autonomy and community – in the self-organised platform SPIN and beyond.

ATW TALKS • EDITION NO. 17 • Monday, 24/7/2017 • 6.00 PM • ATW, Room A 118, Karl-Glöckner-Straße 21, Phil. II, Haus A, D-35394 Gießen

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

Concept and organisation: Georg Döcker
Moderation: Staff of the Institut für Angewandte Theaterwissenschaft

Lecture
by ATW TALKS

Past Dates

• 2017-07-24, A118

ATW TALKS 
EDITION NO. 18
THU 12/10/2017
5:00 PM
A 118
SILVIA BOTTIROLI AND ROSE BEERMANN 
TALK ABOUT 
THE SINGULARITY OF A FESTIVAL TODAY

What can a festival do? What is the function of a festival in our present situation? This edition of the ATW TALKS takes place in the frame of Diskurs, a festival curated by ATW students which is organised from October 11-15 this year. On the occasion of Diskurs festival, we welcome Silvia Bottiroli for a discussion about her experiences as the former artistic director of the Italian Santarcangelo festival (2012-2016) and about her view on festivals as a theatre scholar and professor at Bocconi University in Milan.

In a time when avant-garde festivals celebrate decades of their existence (steirischer herbst was 50 this year, Kunstenfestivaldesarts looks back at more than 20 years), in a time when the temporal economy of festivals is not the exception but the rule (the 'festivalisation' of the programmes of regular theatre venues being one sign of this development), in a time when artists are more and more disappointed with European conditions of funding and production both in theatres and festivals—what can the singularity and the potential of a festival be? The talk will be hosted by ATW member of staff Rose Beermann.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

ATW TALKS, EDITION NO. 18, Wednesday, 12/10/2017, 5:00 PM 
Institut fuer Angewandte Theaterwissenschaft, Room A 118, Karl-Gloeckner-Strasse 21, Phil. II, Haus A, D-35394 Giessen
Concept and organisation: Georg Doecker
Moderation: ATW members of staff

Lecture
by ATW TALKS

Past Dates

• 2017-10-12, A 118

ATW TALKS
THU 7/12/2017
6:00 PM
A 118
VLADIMIR MILLER AND MIRIAM DREYSSE
TALK ABOUT
"SETTLEMENTS", ARTISTIC PRACTICE, AND COLLABORATION

SETTLEMENTS is the name of a series of open workspaces that Vladimir Miller has been developing over the course of several years, as of late within the framework of his teaching position at a.pass in Brussels, where he recently organised the eleventh edition of the series. Currently, the performance maker, scenographer and video artist is preparing SETTLEMENT 12 which will start in Giessen on January 8 and take place at the ATW. In his function as a guest professor of the ATW, he will work with our students to facilitate a three weeks working period based on key principles such as “encountering processes”, “no spectators”, “gifts”, and “productive instability”.

Reason enough to invite Vladimir for a talk about the project, but also about his more general interest in collaboration. In the past, Vladimir has been working with artists such as Meg Stuart and Philipp Gehmacher, and a residency at Akademie Schloss Solitude in 2015 led him to investigating how “our politics and ideologies of togetherness and collaboration manifest themselves in our spaces of (artistic) practice.” This and other elementary questions of artistic practice will be addressed in a talk hosted by ATW professor Miriam Dreysse.

***

Taking place in a monthly interval since the end of 2015, the ATW TALKS are an open format for discussion organised by the ATW, the Institut für Angewandte Theaterwissenschaft, Justus-Liebig-Universität Gießen, Germany. The aim of the ATW TALKS is to create a forum for debating contemporary dance, theatre and performance, thereby contributing to the academic and artistic discourse in the city, in the Hessian performing arts scene and beyond. What is often considered an advantage of the ATW is equally true for the talks: hidden away from a general public with its necessity for self-representation, the context in Gießen offers a unique possibility for an intense, extensive and critical exchange. Each edition of the ATW TALKS is moderated by members of staff working at the institute. Invitations are extended to artists and academics from the performing arts and affiliated disciplines. The talks are generally conducted in English, on certain occasions though, they might be held in German or French.

Lecture
by ATW TALKS

Past Dates

• 2017-12-07, A 118

Performance
by Konzept, Regie, Performance, Text: Dorn ° Bering (Gesa Bering, Stephan Dorn) | Ausstattung: Annatina Huwiler | Dramaturgische Mitarbeit und Produktion: Martin Bien | Technische Gestaltung: Benedikt Grubel, Carlos Franke

Past Performances

• 2017-08-31, Probebühne 1 | ATW Gießen
• 2017-10-30, final project , Künstlerhaus Mousonturm Frankfurt | Studio 1
• 2017-10-31, Künstlerhaus Mousonturm Frankfurt | Studio 1

Ole Hübner: »Mehrfachbelichtete Melodramen« – »Multi-Exposed Melodramas« (2016/17, WP) – Listening theatre for beatboxing voice artist, audio/video playback, and live electronics
... and compositions by Ondrej Adámek (UA), Gordon Kampe (UA), Erin Gee (UA), Kurt Schwitters, and Georges Aperghis

In the solo project of voice artist Frauke Aulbert beatboxing, the »5th element of hip-hop«, meets contemporary music. Here, in musical and socio-cultural regards, two worlds which both fanatically create art on the fringe of society, and still could not be more different, crash into each other. On three performative layers – vocal artistry, video/light design, and audio electronics – the rhythmical language of beatboxing is translated to neo-avant-garde sonic art.

In »Mehrfachbelichtete Melodramen« by Ole Hübner the – vocally, noisily, percussively – self-expressing subject finds herself in an imaginary scenery of communication and everyday sound. Imitation, addition, manipulation, and not least performative virtuosity are the media to invite the audience to adopt the memory of scenes which have been experienced individually, and to match them with their own experiences and imaginations – to multi-expose them.

Performance
by Frauke Aulbert, Ole Hübner (ATW)

Past Performances

• 2017-06-13, premiere , BKA-Theater am Mehringdamm, Berlin
• 2017-06-18, Theaterhaus Stuttgart, Festival »Der Sommer in Stuttgart«
• 2017-11-03, Festival »Klangwerkstatt«, Berlin
• 2017-11-18, Kaistudio in der Elbphilharmonie Hamburg

Concert
by Decoder Ensemble, Ole Hübner (ATW), Charlotte Bösling (ATW), Malte Giesen, Leopold Hurt, Matthias Kranebitter, Philipp Krebs, Johannes Kreidler, Stefan Prins, Sven Kacirek, incite/, Electric Indigo, Dr. Michael Rebhahn, Benjamin Sprick, Dr. Till Knipper

Past Performances

• 2017-09-01, premiere , resonanzraum Hamburg
• 2017-09-02, Hamburger Botschaft
• 2017-09-02, resonanzraum Hamburg

Boards>>Dark Souls>> Crying...squids?
_krat0s_ 23. May 2012

>>Im in dukes prison...
Killed all the squid things in the bottom to see if I can grab some humanities...
But theres two in the back that struck me oddly, I walked up.... And they’re crying
I feel bad :( anyone know why theyre crying? Seems so bizarre... Poor lil guys

CASCADE is a hideout place on stage - a greenhouse for a dance that’s moving around ever so slowly without going anywhere in particular. It’s like a plant that’s using our perception for photosynthesis. The images are constantly growing and decaying in front of us but nothing ever really changes in this choreographic arboretum unless we want it to. If we look long enough things will get blurry or maybe the light is just fading out (again). In this choreography is turning into a camouflage, exploiting the vulnerability of our visual perception and at the same time uncovering something else that we didn’t see before.

Performance
by Emmilou Rößling, Johannes van Bebber, Filomena Krause, Marie Meyer, Niels Wehr (Tom Engels & Teresa Schönherr )

Past Performances

• 2017-06-28, final project , Probebühne 1
• 2017-09-29, final project , Künstlerhaus Mousonturm FFM
• 2017-09-30, final project , Künstlerhaus Mousonturm FFM

A group of PoC (persons of color) artists accepts an invitation for the collective use of a dance studio space for one week. It is a starting point for collaborations, conversations, and exchanging practices as they respond to the current conditions of producing dance and performance in Berlin. On Thursday, the space opens for the audience to engage and join our on- going dialogue in the format of a salon. Here, we will host Black in Berlin as our special guest. On Sunday is a public showing of our artistic work and practices.

Performance
by Olivia Hyunsin Kim and Sarah Bouars, Zwoisy Mears-Clarke, Nasheeka Nedsreal, Martha Hincapié Charry, Baly Nguyen, Jessica Taylor (Black in Berlin), Idan Sagiv Richter, Enis Turan, and more

Past Performances

• 2017-02-23, Tanzfabrik Berlin, Wedding Studio 3, Uferstudios 23, 13357 Berlin
• 2017-02-26, Tanzfabrik Berlin, Wedding Studio 3, Uferstr. 23, 13357 Berlin

Production
by Oda Zuschneid,
Ausstattung: Daniel Angermayr,
Musik: Jan Preißler,
Performance: Tibor Muth, Sebastian Muskalla, Jan Preißler, Oda Zuschneid,
Konzeptionelle Mitarbeit: Twyla Zuschneid

Past Performances

• 2017-11-04, premiere , Hessisches Landestheater Marburg, Bühne
• 2017-11-07, Hessisches Landestheater Marburg, Bühne
• 2017-11-10, Hessisches Landestheater Marburg, Bühne
• 2017-11-21, Hessisches Landestheater Marburg, Bühne

Project
by Léon Haase, Theresa Moest und Nicholas Zöckler

Past Performances

• 2017-10-11, Johannette-Lein-Gasse 26, 35390 Gießen

In this choreography, objects are the main characters, as well as the camera that looks at them.

The tools of a workshop start dancing. Or the camera dances around them. They move to their own sounds and the music that arises from them. The sound triggers motion and the motion triggers sounds until everything becomes one.

Film
by Regie: Stephan Dorn, Kamera: Sonja Risse

Past Performances

• 2017-02-02, Institut für Angewandte Theaterwissenschaft Gießen
• 2017-06-24, Hessische Theatertage 2018, Staatstheater Darmstadt
• 2017-07-25, Sommerwerft Festival Frankfurt
• 2017-07-30, Hungry Eyes Festival, Georg Büchner Saal, Gießen
• 2017-10-22, Internationales Filmfest Braunschweig
• 2017-11-25, Choreographic Captures Festival, Winterthur/CH
• 2018-01-10, SzólóDuó International Dance Festival, Budapest, Ungarn
• 2018-01-18, Linse - Filmfestival, Ruhruniversität, Bochum
• 2018-04-08, Loikka Dance Film Festival, Helsinki, Finnland
• 2018-04-14, Multiplié dance festival 2018, Trondheim, Norwegen

Performance
by Gregor Glogowski und Benjamin Hoesch

Past Performances

• 2017-04-27, Mousonturm Frankfurt am Main
• 2017-04-27, Mousonturm Frankfurt am Main
• 2017-04-28, Mousonturm Frankfurt am Main
• 2017-04-28, Mousonturm Frankfurt am Main

Lecture
by Yudi Ahmad Tajudin

Past Dates

• 2010-07-14, A 118

Performance
by Jost von Harleßem & Falk Rößler, Dramaturgie: Mika Stolte

Past Performances

• 2010-06-10, premiere , Theater im Löbershof - Gießen
• 2010-11-29, Probebühne ATW Gießen
• 2011-03-31, Landungsbrücken Frankfurt
• 2011-04-01, Landungsbrücken Frankfurt
• 2011-04-16, Hörkunstfestival Nürnberg
• 2011-05-29, Landungsbrücken Frankfurt
• 2011-05-30, Landungsbrücken Frankfurt
• 2011-09-22, Theaterdiscounter Berlin
• 2011-09-23, Theaterdiscounter Berlin
• 2011-09-25, Theaterdiscounter Berlin
• 2012-06-20, Landungsbrücken Frankfurt
• 2012-06-23, Landungsbrücken Frankfurt
• 2012-06-24, Landungsbrücken Frankfurt
• 2019-12-08, Kunstverein Wagenhalle e.V. Innerer Nordbahnhof 1, 70191 Stuttgart

Lecture
by Jeff Friedman

Past Dates

• 2010-06-23, Wilsonstrasse/ Institut für ATW

Performance
by Julia Blawert

Past Performances

• 2010-04-15, Reyjkavik - Island
• 2012-03-11, GRIFFringe@SBW Stables Theatre / Sydney
• 2012-06-09, Gießen
• 2013-02-21, Sophiensaele / Berlin - 100 Grad Festival
• 2013-02-22, Sophiensaele / Berlin - 100 Grad Festival
• 2013-02-23, HAU2 -Pförtnerloge / Berlin
• 2013-02-24, HAU2 -Pförtnerloge / Berlin
• 2013-05-22, theaterszene europa 2013 - Köln
• 2013-05-23, theaterszene europa 2013 - Köln
• 2013-05-24, theaterszene europa 2013 - Köln
• 2013-05-25, theaterszene europa 2013 - Köln
• 2013-06-14, HTT -alte Commerzbank, Johannesstraße 17 / Gießen
• 2013-06-15, HTT -alte Commerzbank, Johannesstraße 17 / Gießen

Project
by Fabian Offert und Anna Schewelew

Past Performances

• 2010-07-14, Institut für Angewandte Theaterwissenschaft

Performance
by Johanna Castell

Past Performances

• 2010-09-16, premiere , Fleetstreet Theater Hamburg
• 2010-09-17, final project , Fleetstreet Theater Hamburg
• 2010-09-18, final project , Fleetstreet Theater Hamburg
• 2010-09-19, final project , Fleetstreet Theater Hamburg
• 2010-09-20, final project , Fleetstreet Theater Hamburg
• 2010-09-21, final project , Fleetstreet Theater Hamburg

Performance
by Deborah Neininger und Fanny Frohnmeyer

Past Performances

• 2010-06-12, premiere , Wilsonstrasse, Institut Angewandte Theaterwissenschaft
• 2010-09-11, Gelände der Energieversorgung Offenbach (EVO), Kantine
• 2010-09-12, Gelände der Energieversorgung Offenbach (EVO), Kantine

Workshop and presentation during the German-French School Exchange in Kronberg

Project
by Verena Billinger und Katharina Stephan mit Cagri, Camille, Deniz, Eddy, Léna, Gaea

Past Performances

• 2010-04-21, Ripperger-Halle, Höchst

Installation
by Matthias Jochmann Dirigent: Stephan Dorn

Past Performances

• 2010-01-22, Institut für Angewandte Theaterwissenschaft, Gießen

Project
by Studierenden der Hessischen Theaterakademie

Past Performances

• 2010-02-13, HfMDK Frankfurt

Project
by Stephanie Thiersch und Studierenden der ATW

Past Performances

• 2010-07-01, Probebühne, Institut für Angewandte Theaterwissenschaft

Installation
by Sarah Bonnert Video: Sarah Bonnert + René Liebert Ton: Sarah Bonnert + Christian Fleißner

Past Performances

• 2010-09-01, Historisches Museum Frankfurt

Project
by Verena Billinger, Stine Hertel, Line Spellenberg

Past Performances

• 2010-06-10, Probebühne, ATW
• 2010-09-12, Festival Junger Talente, Energieversorgung AG (EVO), Eingang Goethering, 63067 Offenbach am Main

Project
by Christoph Bovermann

Past Performances

• 2010-07-14, premiere , Georg-Büchner-Saal, Bismarckstr. 37
• 2010-07-18, Georg-Büchner-Saal, Bismarckstr. 37

Performance
by Lina Martha Hermsdorf & Alexander-Maximilian Giesche

Past Performances

• 2010-06-10, premiere , Georg-Büchner-Saal

Performance
by Chris Herzog, Alexander Bauer, Alma Wellner Bou, Lisa Schwalb, Jasmin Jerat, Ferdinand Klüsener

Past Performances

• 2010-06-19, megaFON Festival, Bochum

"We were born, born to be alive."

Project
by Verena Billinger, Caroline Creutzburg, Philipp Karau, Tümay Kılınçel, Nicolas Niot, Sebastian Schulz, Line Spellenberg; Kostüme: Anna Hentschel; Mentor: Gerald Siegmund

Past Performances

• 2010-10-14, premiere , Künstlerhaus Mousonturm (Studiobühne), Frankfurt a.M.
• 2010-10-15, Künstlerhaus Mousonturm (Studiobühne), Frankfurt a.M.
• 2010-10-16, Künstlerhaus Mousonturm (Studiobühne), Frankfurt a.M.
• 2010-11-04, Probebühne des Instituts für Angewandte Theaterwissenschaft, Gießen
• 2010-11-11, Probebühne des Instituts für Angewandte Theaterwissenschaft (Tagung: Dance, Politics & Co-Immunity)

„Dance is hard to see. It must either be made less fancy, or the fact of that intrinsic quality must be emphasized to the point that it becomes almost impossible to see.“ (Yvonne Rainer)

Dance Project
by Sebastian Schulz (CuP) von und mit Jung Yun Bae (CuP), Tümay Kilincel (BA HÜZT), Sebastian Schulz (CuP) und Uri Turkenich (CuP) Dramaturgie: Camilla Vetters (ATW) Kostüm/Ton: Caroline Creutzburg (ATW) Licht: Stine Hertel (ATW) Mentor: Prof. Dr. Gerald Siegmund

Past Performances

• 2010-07-17, premiere , Frankfurt LAB, Schmidtstrasse 12, Frankfurt/Main
• 2010-07-18, Frankfurt LAB, Schmidtstrasse 12, Frankfurt/Main

Production
by Regie: Simone Dede Ayivi Mit: Jean-Philippe Adabra, Mike Adler, Theresa Henning Bühne: Justus Saretz Kostüme: Gilvan Coêlho de Oliveira Sounddesign: Katharina Kellermann (ATW) Dramaturgie: Barbara Kastner

Past Performances

• 2010-09-24, Ballhaus Naunynstraße Berlin
• 2010-09-25, Ballhaus Naunynstraße Berlin
• 2010-09-26, Ballhaus Naunynstrasse Berlin
• 2010-09-27, Ballhaus Naunynstrasse Berlin
• 2010-09-28, Ballhaus Naunynstrasse Berlin
• 2010-10-02, Theaterhaus Hildesheim
• 2010-10-03, Theaterhaus Hildesheim
• 2010-10-04, Theaterhaus Hildesheim
• 2010-10-05, Theaterhaus Hildesheim
• 2010-10-06, Theaterhaus Hildesheim

Performance
by Studierenden der ATW unter Leitung von SIGNA

Past Performances

• 2010-12-11, premiere , Lincolnstreet 7, 35394 Giessen

Installation
by Arnita Jaunsubrena, Annett Lang, Sara Melchior.

Past Performances

• 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
• 2009-06-19, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
• 2009-06-20, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
• 2009-06-21, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130

Texts by H.P. Lovecraft and postcards from the flea market of Lyon. Four voiceless singers are venturing a journey through the darkness.

Dance Project
by und mit: Sarah Bahr, Jean-Camille Giomard, Julien Nicosia, Minhee Kim

Past Performances

• 2009-04-02, premiere , Théâtre Le Croiseur, Lyon, im Rahmen von: "Carnet de Voyage/Reisetagebuch"

Lecture
by Studierende der Angewandten Theaterwissenschaft

Past Dates

• 2009-01-25, Institut für Angewandte Theaterwissenschaf, Raum A118

Performance
by Julia Blawert mit Dominik Grubert

Past Performances

• 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Probebühne

Lecture
by Daniel Weidner

Past Dates

• 2009-11-12, Medien der Auferstehung , Margarethe-Bieber-Saal

Project
by Sophie Lembcke, Inga Wagner, Andrea Polewka und mit Christopher Felix Hahn, Maika Knoblich, Jule Kremberg, Hendrik Quast, Tomasz Stompor, sowie Sounds und Atmosphären von Felix Kubin

Past Performances

• 2009-03-19, premiere , Fleetstreet/Hamburg
• 2009-03-20, Fleetstreet
• 2009-03-21, Fleetstreet
• 2009-03-22, Fleetstreet, mit Party im Anschluss

Artist Talk "12 possibilities"; The Mozi-project. With Liang Jieming (Author "Chinese Siege Warfare: Mechanical Artillery and Siege Weapons of Antiquity)

http://www.instinc.com/instinc_/

Reading
by Tobias Rosenberger

Past Performances

• 2009-09-12, Instinc, 27 Mohamed Sultan Road, 3rd floor singapore 238971

Performance
by Ana Berkenhoff, Cecilie Ullerup Schmidt (Regie:"In der Strafkolonie nach Franz Kafka"), Ferdinand Klüsener und Stefan Behrendt (R:"Verkommenes Ufer"), Tobias Rosenberger (R:"Herakles 2")

Past Performances

• 2009-03-05, Mousonturm Frankfurt
• 2009-03-06, Mousonturm Frankfurt
• 2009-03-07, Mousonturm Frankfurt
• 2009-03-31, Thalia in der Gausstrasse Hamburg, Körber Studio Junge Regie
• 2009-04-05, LOFFT Leipzig, Tanzoffensive
• 2009-04-05, TANZOFFENSIVE 09, LOFFT Theater Leipzig

Project
by Diskursfestival

Past Performances

• 2009-10-06, Gießen
• 2009-10-07, Gießen
• 2009-10-08, Gießen
• 2009-10-09, Gießen
• 2009-10-11, Gießen

Performance
by SWOOSH LIEU (Johanna Castell, Katharina Kellermann, Juliane Kremberg, Rosa Wernecke)

Past Performances

• 2009-06-06, Teaterskolen Kopenhagen
• 2009-06-20, Theatermaschine 2009 , Probebühne, Institut für Angewandte Theaterwissenschaft
• 2010-11-13, Junge Hunde Festival, Aarhus

Production
by Melchior B. Tacet, Hanke Wilsmann. Spiel: Nina Petzinger, Theresa Herz, Lars Paschold

Past Performances

• 2009-12-03, premiere , Waggonhalle - Marburg
• 2009-12-04, Waggonhalle - Marburg
• 2009-12-05, Waggonhalle - Marburg
• 2009-12-06, Waggonhalle - Marburg
• 2010-01-15, Instant #4 , Institut für Angewandte Theaterwissenschaft, Gießen

Project
by den Erstsemestern 2009

Past Performances

• 2009-11-18, vor der Probebühne

Performance
by und mit Alexander Bauer, Alma Wellner Bou, Chris Herzog, Jasmin Jerat, Ferdinand Klüsener, Lisa Schwalb.

• Past Performances
• 2009-06-19, Theatermaschine 2009 , Probebühne, Institut für Angewandte Theaterwissenschaft
• 2009-06-27, Theaterhaus Hildesheim im Rahmen von Instant#3
• 2009-10-31, zeitraumexit Mannheim - im Rahmen von "Wilsonstraße, Werkschau der ATW"
• 2010-02-13, HfMDK Frankfurt, im Rahmen von "5 Stunden HTA"
• 2010-04-17, „United Intimacy” - Gertrudes Strasse 101, Riga, Lettland

Performance
by Christian Grammel, Matthias Mohr, Suha Sung und Luise Voigt

Past Performances

• 2009-09-25, Probebühne, Institut für Angewandte Theaterwissenschaft Gießen
• 2009-10-03, ZKM Karlsruhe
• 2010-04-15, Leipzig (Resonanzen, Festival für Hörkunst)
• 2010-06-14, Probebühne, Institut für Angewandte Theaterwissenschaft Gießen
• 2010-06-23, Akademie der Künste (Studio)/ Hanseatenweg 10 / Berlin

Project
by Mariano Pensotti Intern. METROPOLIS Festival Kopenhagen

Past Performances

• 2009-08-14, premiere , Copenhagen, Danmark
• 2009-08-15, Copenhagen, Danmark
• 2009-08-16, Copenhagen, Danmark

The production Appropriation. Parasiten. Krapp´s last tape (working title) uses a media-oriented approach to explore the possibilities and limits of the reconstruction of an existing staging: The production by Samuel Beckett of his own piece Krapp’s last tape in 1969.

The reconstruction confronts the body with its limits: To what extent is it possible to appropriate the singular body language of someone else, in this case that of the actor Martin Held who played the protagonist Krapp in 1969? Wouldn’t the process of appropriation change the one who appropriates and that which is appropriated?

Isn’t there an inherent danger of being infected, of losing control, of an amorphisation? What can be perceived from this process by someone who is watching?
Beckett’s text (also) focuses on how perception is unsettled: Krapp’s last tape begins with the stage direction “A late evening in the future“ – calling forth a certain atmosphere that is immediately irritated by the paradoxical reference to the future.

concept and direction: Sebastian Blasius
concept and dramaturgical advice: Daniel Franz
performance: Ludger Lamers
sound: Björn Deigner/Luise Voigt
light: Katharina Runte
production management and dramaturgical advice: Anke Euler

Appropriation. Parasiten. Krapp´s Last Tape has been produced to obtain the degree of diploma and is kindly supported by Hessische Theaterakademie (HTA), the Institut für Angewandte Theaterwissenschaft, ZMI of Justus-Liebig-Universität Gießen, Kulturamt Gießen, Kulturreferat München and is a co-production with i-camp/neues theater münchen.

Dance Project
by Sebastian Blasius

Past Performances

• 2009-07-18, final project , i-camp/ Neues Theater München
• 2009-07-19, final project , i-camp/ Neues Theater München
• 2009-11-12, Medien der Auferstehung , Gießen
• 2010-05-30, schwankhalle Bremen, OUTNOW! - Festival
• 2010-11-05, Künstlerhaus Mousonturm, Frankfurt/Main
• 2010-11-06, Künstlerhaus Mousonturm, Frankfurt/Main
• 2010-11-10, "Junge Hunde" - Festival, Ǻrhus (DK)
• 2010-11-11, "Junge Hunde" - Festival, Ǻrhus (DK)
• 2010-11-17, Dock 4, Kassel
• 2010-11-19, Theaterdiscounter Berlin
• 2010-11-20, Theaterdiscounter Berlin
• 2010-11-25, monty Theater, Antwerpen (BE)

Video
by Verena Billinger. Abreißer: Nicolas Niot, Sebastian M. Schulz

Past Performances

• 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
• 2009-06-19, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
• 2009-06-21, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
• 2010-05-01, Frankfurt LAB

Dance Project
by Gastprof. Thomas Lehmen und div. Studierende

Past Performances

• 2009-05-08, premiere , Probebühne

Plato’s cave is a comfortable and a disturbing place at the same time. The comfort of the projection, which is both fiction and imagination, stays always dark. The one who talks about the world outside the cave endangers the comfort within the cave. But what if - following Diderot - the one who left the cave would not report what he had seen but just be silent on his return? According to Goran Sergej Pristaš Diderot considers this possibility. In his "notes on the spaces and intervals" Pristaš enquires the prerequisites of Diderot’s cinematic viewing. Slavoj Zizek would take much pleasure in this and – maybe dancing - present his own analysis in the faked stage. Besides one really wonders what the cinemating viewing can see – epecially on a stage. We are looking forward to a stimulated discussion.

Goran Sergej Pristaš can be unhesitatingly called an authority within the European dance, theatre and performance scene. He has been professor at the “Academy of Drama and Art” at the University of Zagreb since 1993. Before that he worked as director, dramatic advisor and performer with the performance collective BADco (among others) and was the artistic director of the theatre ŠKUC in Ljubljana. Till 1999 he also worked as producer and dramatic advisor of the company of Borut Separovic and produced the performance “Confession”. Since 2000 he has been the director of the “Centre of Drama Art” in Zagreb. Till 2007 he was the editor in chief of the theatre and performance magazine “Frakcija” which he had founded in 1996. Since 2003 he has been one of the initiators of "Zagreb - Cultural Kapital of Europe 3000" ("ZCK 3000") which is a series of regional and international projects dealing with new group dynamics, collective strategies and working methods for the cultural production. He and Ivana Ivković will conduct a workshop themed "Stratagames: A Theatre of Operations" at the Steirischer Herbst 2009.

Lecture
by Goran Sergej Pristaš

Past Dates

• 2009-10-08, DISKURS 09 , Alte Stadtbibliothek Giessen, Eingang Lonystrasse

Dance Project
by Paula Rosolen in Zusammenarbeit mit Jacob Bussmann/Maja Friedrich/Inma Rubio/Sebastian Schottke/Sven Segelken/Lucie Tuma

Past Performances

• 2009-05-15, Festival Universitaire de Jeunes Productions Musicales, Aix en Provence (F)
• 2009-06-05, Mousonturm Frankfurt, Studiobühne
• 2009-06-06, Mousonturm Frankfurt, Studiobühne

Performance
by Milena Kipfmüller, Gabriela Tarcha mit: Kim Willems, Hendrik Quast, Selda Altin, Stine Hertel

Past Performances

• 2008-06-14, Gelände Gail Halle

"...the bird attacks have subsided for the time being. Bodega Bay seems to be the center though there are reports of minor attacks on Sebastopol and a few on Santa Rosa. Bodega Bay has been courtened off by road blocks. Most of the town's people have managed to get out though there are still some isolated pockets of people. No decision has been arrived at yet as to what the next step will be, but there has been some discussion as to whether the military should go in. It appears that the bird attacks come in waves with long intervals between. The reason for this does not seem clear as yet."
(Radio announcement from „The Birds“ by Alfred Hitchcock)

Performance
by Sebastian Schulz by and with: Verena Billinger, Enad Marouf, Nicolas Niot Sound: Valentin Haller 

Former Performances

• 19.4.2008, Tanzabteilung HfMDK Frankfurt
• 7.3.2009, Tanzabteilung HfMDK Frankfurt
• 8.3.2009, Tanzabteilung HfMDK Frankfurt

Installation
by Pohlheim (Florian Ackermann, Katharina Kellermann, Frank Max Müller)

Past Performances

• 2008-11-21, Atelierfrankfurt
• 2008-11-22, Atelierfrankfurt
• 2008-11-23, Atelierfrankfurt

Reading
by Eilers, Engelbach, Reif, Siebrecht

Past Performances

• 2008-05-23, "Franzis", Wetzlar

Performance
by ein Duo aus dem 21.Jahrhundert / (Konzept und Darstellung); Licht und Ton: Fabian Offert; Beratung: Hendrik Quast

Past Performances

• 2008-11-29, Probebühne des Instituts, im Rahmen von Instant Festival #2
• 2009-03-13, Kampnagel Hamburg, im Rahmen von 150%made in Hamburg
• 2009-06-13, Hessische Theatertage 2009 , Tasch 2, Marburg (Hessische Theatertage)

Installation
by Christian Grammel, Janosch Pomerenke

Past Performances

• 2008-10-26, Hauptgebäude der JLU Gießen, Ludwigstraße

Project
by Manuel Gerst, Matthias Meppelink, Boris Nikitin, Sahar Rahimi, Cecilie Ullerup Schmidt, Ina Vera

Past Performances

• 2008-01-15, premiere , Probebühne

Performance
by bassgasse 3

Past Performances

• 2008-01-13, premiere , Montagehalle der Grazer Oper

"Life is like boxing in many unsettling respects. But boxing
is only like boxing." Joyce Carol Oates – On boxing

Performance
by Alice Ferl

Past Performances

• 2008-06-13, Marburg
• 2008-09-21, Festival Junger Talente, Hafengelände Offenbach
• 2010-11-04, Junge Hunde Festival; Arhus (DK)

The audio-visual Installation Cold Lights confronts the accuracy of the natural scientific view on the observed object with the "long winded" perception of an art piece. On the one hand the spectator has to come very close to the exhibited organic object to analyze all the details and to see all texts and images projected on the surface of the display right before it, on the other hand he can let his eyes wander around the room in some kind of "holistic" perception. Especially the sound connects all the exhibits to one complex "organic" object. The spectator is challenged to reflect on his perception in and of natural science as being exact and art as dealing with fictions and virtuality. In that way the installation also reflects on the utilization on imaging technology in exact sciences.

Installation
by Maximilian Haas, René Liebert, Tobias Rosenberger

Past Performances

• 2008-04-06, premiere , Luminale Frankfurt, Physikalischer Verein
• 2008-09-19, Festival Junger Talente, Hafengelände Offenbach

Performance
by Madame Piquenique

• Past Performances
• 2008-06-12, Marburg

At one point it might be about doing decisions – this is no
catechism – but vodoo vodoo vodoo: oh, you are so nice to
say, i didnt got up at the same point and you have always the
trumpf in your last hand. fuck.
and this is – not a fucking eins zwei drei, but more like yes
or no: Im Bach ist ein Lied. Die Welt kehrt zurück in seine
Hosentasche.

Festival Junger Talente 2008

Project
by Ana Berkenhoff, Matthias Mohr

Past Performances

• 2008-09-19, Festival Junger Talente, Hafengelände Offenbach

Performance
by Charlotte Arens, Cecilie Ullerup-Schmidt, Fanny Frohnmeyer, Rostislav Tumanov

Past Performances

• 2008-06-14, Gail Halle

Performance
by Charlotte Arens, Cecilie Ullerup-Schmidt, Fanny Frohnmeyer, Rostislav Tumanov

Past Performances

• 2008-12-12, Hochschule für Musik "Felix Mendelssohn Bartholdy", Leipzig

Installation
by Anne Kuhn & Andreas Mihan

Past Performances

• 2008-12-16, final project , Schlachthof B, Rodheimer Strasse in Giessen
• 2008-12-17, final project , Schlachthof B, Rodheimer Strasse in Giessen
• 2008-12-18, final project , Schlachthof B, Rodheimer Strasse in Giessen
• 2008-12-19, final project , Schlachthof B, Rodheimer Strasse in Giessen
• 2008-12-20, final project , Schlachthof B, Rodheimer Strasse in Giessen

Performance
by und mit Philipp Karau und Katharina Stephan Technik/Dramaturgie/Mitarbeit: Caroline Creutzburg, Johanna Manzewski, Daniel Franz, Stine Hertel, Lea Schneidermann.

Past Performances

• 2008-11-29, Probebühne (ATW) Instantfestival
• 2009-06-13, Hessische Theatertage 2009 , Tasch 2, Marburg (Hessische Theatertage)
• 2009-10-30, zeitraumexit Mannheim - im Rahmen von "Wilsonstraße, Werkschau der ATW"
• 2010-03-24, Thalia Gaußstraße (Hamburg) Körberstudio für junge Regie

Performance
by Mark Schröppel, Philipp Karau

Past Performances

• 2008-09-20, Hafengelände, Festival Junger Talente Offenbach 2008

Installation
by Lea Letzel

Past Performances

• 2008-06-13, Marburg

Project
by Rosalie Scheiker und Maria Guggenbichler

Past Performances

• 2008-09-15, Gießen, Eiscafé Venezia. Offenbach, Eiscafé Venezia.

Project
by Lea Letzel, Ivna Zic, Tassilo Letzel

Past Performances

• 2008-09-19, Festival Junger Talente, Hafengelände Offenbach

Lecture
by Jean-Luc Nancy und Dr. Elisabeth Schweeger im Rahmen der Jubiläumsfeier 

Past Dates

• 2007-10-13, premiere , Margarete-Bieber-Saal, 15 Uhr

Production
by Christian Grammel und Janosch Pommerencke 

Past Performances

• 2007-05-19, premiere , Hauptgebäude der JLU-Gießen, Aula

 "Every art school usually has a show at the end of the year so people can see all the best work its students have done. Project: Hold your show in your bedroom or a garage. Choose a day and a time then send out invitation cards. If you've done some projects with friends, invite them to show your work with yours. You may like to prepare some snacks and drinks and play some gentle music. Try not to be nervous, and good luck!" Mick Manning. Brita Granström. Art School. London. 1996.

Project
by Rosalie Schweiker 

Past Performances

• 2007-06-22, premiere , Galerie Bildung&Besitz

Breathing City is a video and sound installation comprising of 4 TV screens and surround sound system. The video screens display an 8 minute cycle depicting urban surroundings, captured by computer controlled robotic cameras, accompanied by a musical composition for 4 breathing voices edited for surround sound. The multitude of elements produces a contrast of unity and multiplicity: the 4 voices unite into a single enfolding sound; the four screens show a single object in different moments in time and from different perspectives, so that the singular disintegrates into a multiplicity. However, the manipulation is performed in temporal succession avoiding repetitiveness. The robotic camera movement contrasts with the human motion, opposing the animate with the inanimate, the city life and the living city.

Installation
by Tobias Rosenberger. Audio: Elad Shniderman. 

Past Performances

• 2007-06-15, premiere , Les Intranquilles Festival #6, Les Subsistances, Lyon
• 2007-07-30, Alfred Gallery, Tel Aviv
• 2007-10-20, Giessen, JLU
• 2007-11-17, Harvestworks, New York City
• 2008-04-28, Goetheinstitut Barcelona
• 2009-05-18, re-new 2009 festival Copenhagen
• 2009-05-19, re-new 2009 festival Copenhagen
• 2009-05-20, re-new 2009 festival Copenhagen
• 2009-05-21, re-new 2009 festival Copenhagen
• 2009-05-22, re-new 2009 festival Copenhagen
• 2009-12-19, Kunstfilmtag 09, im Theatersaal des Künstlerverein Malkasten Düsseldorf
• 2010-04-21, moves - International Festival of Movement on Screen, Liverpool UK

This time these three are on the move
as cultural researchers.
during the duration of the works 
the traffic is lead about the lay-by,
In course of extension 
of the communication net 
point departures are carried out 
in the city at some places.
We bore horizontally
in the steered and unsteered operation.
Do horizotal drilling projects soon queue with you?
Offenbacher worlds on the rolling road.

Production
by Ana Berkenhoff, Anselm Belser, Roland Siegwald 

Past Performances

• 2007-04-21, premiere , Festival Junger Talente Offenbach

Project
by Philipp Schulte, Susanne Zaun und Annika Scheffel 

Past Performances

• 2007-05-26, premiere , Schauspiel Frankfurt, Schmidtstraße

Reading
by Arbeitskreis Bildungsperspektiven an der JLU Gießen (Regie: Florian Siebrecht) 

Past Performances

• 2007-01-24, premiere , Otto-Eger-Heim, Neue Mensa, Foyer im Hauptgebäude der JLU, Café Amélie (Gießen)

by and with: Friederike Kenneweg, Annika Scheffel, Anna Schewelew, Philipp Schulte, Anne Tenhaef and Susanne Zaun
as well as Katharina Kownatzki (costume design), Juliane Freitag and Renata Kos (costume production), Daniel Feige (music)

Production
by Friederike Kenneweg, Annika Scheffel, Anna Schewelew, Philipp Schulte, Anne Tenhaef und Susanne Zaun 

Past Performances

• 2007-05-06, premiere , Institut für Angewandte Theaterwissenschaft Giessen

 Project

by Rebecca Egeling 

Past Performances

• 2007-06-20, premiere , Stadtturm am Kirchplatz im Rahmen der Stadtrauminszenierungen der Theatermaschine 07

Project
by Jens Joneleit (Komposition) / Matthias Mohr (Regie)

Past Performances

• 2007-02-03, premiere , Theaterhaus Stuttgart

Installation
by Christian Grammel / Janosch Pomerenke

Past Performances

• 2007-01-20, premiere , Audimax der JLU Gießen

Scenic Concert for Baroque Quartet, Radio Announcer and talking robots by André Schallenberg
with music by Johann Sebastian Bach, Francois Couperin, Brian Ferneyhough, Joseph Maria Hauer, Jean-Baptiste Lully und Conlon Nancarrow
Cast: Niklas Seidl (cello), Matthew Lewis (violin), Arve Stavran (cembalo), Julian Fricker (recorder), Michael May (announcer), Felix Dreher (live-electronic & sounddesign), Bernhard Müller / Dirk Ziervogel (technical production), Björn Rohwedder / Robert Seifert (robotics & automaton construction), Jan Rohwedder (assistance), André Schallenberg (conzept & director)
a production by André Schallenberg, co-producers: LOFFT Leipzig, Künstlerhaus Mousonturm Frankfurt/M., kindly promoted by Hessische Theaterakademie, Institut für Angewandte Theaterwissenschaft der JLU Giessen, Stadt Leipzig, Kling&Freitag Sound Systems Hannover and OVAL Filmemacher Berlin

www.lofft.de
www.mousonturm.de

Performance
by André Schallenberg

Past Performances

• 2007-10-12, final project , LOFFT Leipzig

Project
by Theatergroep Nooduitgang

Past Performances

• 2007-02-10, premiere , Parnassos (Utrecht)

Lecture
by Dr. Miriam Dreysse

Past Dates

• 2007-06-20, premiere , Probebühne

Installation
by Katharina Kellermann

Past Performances

• 2007-07-01, Schauspiel Frankfurt, im Rahmen von "feel@home" - ein Picknick
• 2007-10-18, Willy-Brandt-Platz, Frankfurt am Main

Project
by Simone Dede Ayivi Katharina Kellermann, Sound (ATW)

Past Performances

• 2007-04-09, Theaterhaus Hildesheim
• 2007-04-11, Theaterhaus Hildesheim
• 2007-04-12, Theaterhaus Hildesheim
• 2007-04-13, Theaterhaus Hildesheim
• 2007-04-14, Theaterhaus Hildesheim
• 2007-04-15, Theaterhaus Hildesheim

Installation
by Grammel, Pomerenke

Past Performances

• 2007-09-20, premiere , Hauptgebäude der Universität, Ludwigstraße

Dance Project
by Stefan Hölscher

Past Performances

• 2007-06-22, premiere , Probebühne, Institut für ATW

Installation
by Sarah Bonnert

Past Performances

• 2007-06-20, premiere , Goethestraße 6 Gießen

We meet today to say yes to the utopic hitch!
„île flottante“ – a playdraft
developed from by the team Berkenhoff/ Siegwald.

In cooperation with the theatre “Les Subsistance“ in Lyon, France,
The „Goethe Institut Lyon“, the „Conservatoire National Superieur de Musik e Dance Lyon“ and the „Institut of Applied Theaterstudies“, Giessen, Germany
during the Festival „Les Intranquilles“ in Lyon 2007

Project
by Berkenhoff/Siegwald

Past Performances

• 2007-04-14, Hebbel am Ufer, Berlin, HAU 2
• 2007-06-21, premiere , Theater Les Subsistances Lyon, Festival "Les Intranquilles"

Duration: about 9 minutes
Voice: Esther Becker
Lyrics: Felicitas Hoppe
Music: Camille

Video
by Anna K. Becker

Past Performances

• 2006-06-28, premiere , Raum A 117

MiniDramas in the context of "Culture in Biebertal `06":
Episode "Angenervt: Die Englischstunde" (Annoyed: The English Lesson)
Episode "Schweigen"
Episode "Filet"
Episode "Abgedrehte Vorbilder"

With: Gisela Ballmann, Ingrid Bauer, Magdalena Binder, Martin Gaßmann, Ludger Hellmann, Lisa Kornder, Heide Stiller, Susanne Weber, Charlotte Zarniko

Production
by Florian Siebrecht (Regie)

Past Performances

• 2006-04-09, premiere , Bürgerhaus Biebertal