Vorträge
- “Contested Steppe: Józef Brandt, Cossacks, and the Visual Politics of Ukraine in Nineteenth-Century Europe,” at the Workshop of the German-Ukrainian Historical Commission (DUHK) for Emerging Scholars The End of Wars: Ukraine in Historical and International Contexts
(Yuriy Fedkovych Chernivtsi National University, Chernivtsi, 25–27 September 2025) - “Disrupting the West/East Binary: The Concept of Polish ‘Orientalness’ and Its Position in Understanding 19th-Century Visual Arts,” at the XI World Congress of the International Council for Central and East European Studies Disruption
(International Council for Central and East European Studies, University College London, London, 21–25 July 2025) - “Polish Lone Wolf in Collection of the Boston Museum of Fine Arts: Examining the Nineteenth-Century Transatlantic Art Trade,” at the 46th Annual Conference of the Nineteenth-Century Studies Association Fusions of Culture, Time and Space
(Nineteenth-Century Studies Association, New Orleans, 27–29 March 2025) - “Orientalisation of 19th-Century Eastern-European Art on the Case Study of Józef Brandt’s Painting,” at the Colloquium for Doctoral Students Forschungen zum langen 19. Jahrhundert, 1789–1918: Projekte, Traditionen, Methoden
(Zentralinstitut für Kunstgeschichte, Munich, 17–19 March 2025) - “Polish, Ukrainian, or Russian? Imperial Entanglements in 21st-Century Museum Practices,” at the 1st Museums and Memory Working Group Conference Museums, Memory, Politics
(Memory Studies Association, online, 24–25 January 2025) - “The Concept of ‘Critical Museum’ in the Light of Post-Imperial Identity Politics,” at the conference The Museum Reflects
(University of Florence, Florence, 23–24 January 2025) - “Orientalization of 19th-Century Eastern European Art: The Case Study of the ‘Polish Munich School’,” at the 56th Annual Convention of the Association for Slavic, East European, and Eurasian Studies (ASEEES)
(ASEEES, Boston, MA, 21–24 November 2024) - “Intersections of Empires, Intersections of Cultures: On Traces of Occident and Orient in the Russian Empire’s Visual Culture,” at the 10th Graduate Workshop of the Russian Art & Culture Group What Is To Be Done – Now? Discussions of Scholarship on So-called ‘Russian’ Art and Culture
(Constructor University Bremen, Bremen, 27–28 September 2024) - Discussant and co-organiser at the one-day conference Artysta a świat w XI, XX i początkach XXI wieku
(Muzeum Okręgowe w Suwałkach, Suwałki, 25 September 2024) - “Art Is (Not) Free in Berlin: On Pro-Palestinian Artists’ Struggle Against the State Policies in Germany,” at the XIV Lisbon Summer School for the Study of Culture Culture at War
(Universidade Católica Portuguesa, Lisbon, 24–29 June 2024) - “De-Mystifying the Myth: Critically Querying the Use of the Cossack Motives in Polish Art,” at the 30th Meeting of the Working Group of German and Polish Art Historians and Monument Conservators Art and War
(Schlesisches Museum zu Görlitz, Görlitz, 15–18 November 2023) - “Queering the Contemporary and Future Curating in Central-Eastern Europe,” at the XIII Lisbon Summer School for the Study of Culture Future/Futures
(Universidade Católica Portuguesa, Lisbon, 3–8 July 2023) - “‘Bouncing Back’: On the Difficult History and Uncertain Future of Exhibiting Queer Art in Central-Eastern Europe,” at the ESSCS and TransHumanities Summer School Bouncing Forward: Future Narratives, Scenarios, and Transformations in the Study of Culture
(International Graduate Centre for the Study of Culture, Giessen, 19–23 June 2023) - “(Im)Possible World: Communal Imagination and Its Imagined Environment: The Case Study of the Polish Munich School,” at the Hermes Consortium for Literary and Cultural Studies Summer School Possible Worlds: Environment, Community, Heterotopia
(University of Siena, Arezzo, 12–16 June 2023) - “Between Orient and Occident: A Case Study of the Ukrainian Steppes and the Polish Munich School,” at the conference Un/Sichtbarkeit. Die polnische Kunst(Geschichte) und Deutschland
(Zentralinstitut für Kunstgeschichte, Munich, 6–8 April 2022)