2009
[nach Moskau]
Installation
by Arnita Jaunsubrena, Annett Lang, Sara Melchior.
Past Performances
- 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
- 2009-06-19, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
- 2009-06-20, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
- 2009-06-21, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, goOut-Abend, Raum A130
"C’est dans un état bien particulier que je vous parle..."
Texts by H.P. Lovecraft and postcards from the flea market of Lyon. Four voiceless singers are venturing a journey through the darkness.
Dance Project
by und mit: Sarah Bahr, Jean-Camille Giomard, Julien Nicosia, Minhee Kim
Past Performances
- 2009-04-02, premiere , Théâtre Le Croiseur, Lyon, im Rahmen von: "Carnet de Voyage/Reisetagebuch"
"Darstellen 'nach Auschwitz'"
Lecture
by Studierende der Angewandten Theaterwissenschaft
Past Dates
- 2009-01-25, Institut für Angewandte Theaterwissenschaf, Raum A118
"deshalb warten wir, oder?" - eine Performance mit Texten von „Electronic City“
Performance
by Julia Blawert mit Dominik Grubert
Past Performances
- 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Probebühne
"Er ist nicht hier, denn er ist auferstanden". Die Auferstehung erzählt
Lecture
by Daniel Weidner
Past Dates
- 2009-11-12, Medien der Auferstehung , Margarethe-Bieber-Saal
"Les Aveugles" nach einem symbolistischen Drama von Maeterlinck
Project
by Sophie Lembcke, Inga Wagner, Andrea Polewka und mit Christopher Felix Hahn, Maika Knoblich, Jule Kremberg, Hendrik Quast, Tomasz Stompor, sowie Sounds und Atmosphären von Felix Kubin
Past Performances
- 2009-03-19, premiere , Fleetstreet/Hamburg
- 2009-03-20, Fleetstreet
- 2009-03-21, Fleetstreet
- 2009-03-22, Fleetstreet, mit Party im Anschluss
12 possibilities
Artist Talk "12 possibilities"; The Mozi-project. With Liang Jieming (Author "Chinese Siege Warfare: Mechanical Artillery and Siege Weapons of Antiquity)
http://www.instinc.com/instinc_/
Reading
by Tobias Rosenberger
Past Performances
- 2009-09-12, Instinc, 27 Mohamed Sultan Road, 3rd floor singapore 238971
3xMüller
Performance
by Ana Berkenhoff, Cecilie Ullerup Schmidt (Regie:"In der Strafkolonie nach Franz Kafka"), Ferdinand Klüsener und Stefan Behrendt (R:"Verkommenes Ufer"), Tobias Rosenberger (R:"Herakles 2")
Past Performances
- 2009-03-05, Mousonturm Frankfurt
- 2009-03-06, Mousonturm Frankfurt
- 2009-03-07, Mousonturm Frankfurt
- 2009-03-31, Thalia in der Gausstrasse Hamburg, Körber Studio Junge Regie
- 2009-04-05, LOFFT Leipzig, Tanzoffensive
- 2009-04-05, TANZOFFENSIVE 09, LOFFT Theater Leipzig
6.-11.10.2009: DISKURS 09
Project
by Diskursfestival
Past Performances
- 2009-10-06, Gießen
- 2009-10-07, Gießen
- 2009-10-08, Gießen
- 2009-10-09, Gießen
- 2009-10-11, Gießen
93 slats of one and the same series always stay parallel
Performance
by SWOOSH LIEU (Johanna Castell, Katharina Kellermann, Juliane Kremberg, Rosa Wernecke)
Past Performances
- 2009-06-06, Teaterskolen Kopenhagen
- 2009-06-20, Theatermaschine 2009 , Probebühne, Institut für Angewandte Theaterwissenschaft
- 2010-11-13, Junge Hunde Festival, Aarhus
abschottung
Production
by Melchior B. Tacet, Hanke Wilsmann. Spiel: Nina Petzinger, Theresa Herz, Lars Paschold
Past Performances
- 2009-12-03, premiere , Waggonhalle - Marburg
- 2009-12-04, Waggonhalle - Marburg
- 2009-12-05, Waggonhalle - Marburg
- 2009-12-06, Waggonhalle - Marburg
- 2010-01-15, Instant #4 , Institut für Angewandte Theaterwissenschaft, Gießen
ALASKA
Performance
by und mit Alexander Bauer, Alma Wellner Bou, Chris Herzog, Jasmin Jerat, Ferdinand Klüsener, Lisa Schwalb.
- Past Performances
- 2009-06-19, Theatermaschine 2009 , Probebühne, Institut für Angewandte Theaterwissenschaft
- 2009-06-27, Theaterhaus Hildesheim im Rahmen von Instant#3
- 2009-10-31, zeitraumexit Mannheim - im Rahmen von "Wilsonstraße, Werkschau der ATW"
- 2010-02-13, HfMDK Frankfurt, im Rahmen von "5 Stunden HTA"
- 2010-04-17, „United Intimacy” - Gertrudes Strasse 101, Riga, Lettland
an meiner statt
Performance
by Christian Grammel, Matthias Mohr, Suha Sung und Luise Voigt
Past Performances
- 2009-09-25, Probebühne, Institut für Angewandte Theaterwissenschaft Gießen
- 2009-10-03, ZKM Karlsruhe
- 2010-04-15, Leipzig (Resonanzen, Festival für Hörkunst)
- 2010-06-14, Probebühne, Institut für Angewandte Theaterwissenschaft Gießen
- 2010-06-23, Akademie der Künste (Studio)/ Hanseatenweg 10 / Berlin
Ana läd ein zu: LA MAREA
Project
by Mariano Pensotti Intern. METROPOLIS Festival Kopenhagen
Past Performances
- 2009-08-14, premiere , Copenhagen, Danmark
- 2009-08-15, Copenhagen, Danmark
- 2009-08-16, Copenhagen, Danmark
APPROPRIATION.PARASITEN.KRAPP'S LAST TAPE. (AT)
The production Appropriation. Parasiten. Krapp´s last tape (working title) uses a media-oriented approach to explore the possibilities and limits of the reconstruction of an existing staging: The production by Samuel Beckett of his own piece Krapp’s last tape in 1969.
The reconstruction confronts the body with its limits: To what extent is it possible to appropriate the singular body language of someone else, in this case that of the actor Martin Held who played the protagonist Krapp in 1969? Wouldn’t the process of appropriation change the one who appropriates and that which is appropriated?
Isn’t there an inherent danger of being infected, of losing control, of an amorphisation? What can be perceived from this process by someone who is watching?
Beckett’s text (also) focuses on how perception is unsettled: Krapp’s last tape begins with the stage direction “A late evening in the future“ – calling forth a certain atmosphere that is immediately irritated by the paradoxical reference to the future.
concept and direction: Sebastian Blasius
concept and dramaturgical advice: Daniel Franz
performance: Ludger Lamers
sound: Björn Deigner/Luise Voigt
light: Katharina Runte
production management and dramaturgical advice: Anke Euler
Appropriation. Parasiten. Krapp´s Last Tape has been produced to obtain the degree of diploma and is kindly supported by Hessische Theaterakademie (HTA), the Institut für Angewandte Theaterwissenschaft, ZMI of Justus-Liebig-Universität Gießen, Kulturamt Gießen, Kulturreferat München and is a co-production with i-camp/neues theater münchen.
Dance Project
by Sebastian Blasius
Past Performances
- 2009-07-18, final project , i-camp/ Neues Theater München
- 2009-07-19, final project , i-camp/ Neues Theater München
- 2009-11-12, Medien der Auferstehung , Gießen
- 2010-05-30, schwankhalle Bremen, OUTNOW! - Festival
- 2010-11-05, Künstlerhaus Mousonturm, Frankfurt/Main
- 2010-11-06, Künstlerhaus Mousonturm, Frankfurt/Main
- 2010-11-10, "Junge Hunde" - Festival, Ǻrhus (DK)
- 2010-11-11, "Junge Hunde" - Festival, Ǻrhus (DK)
- 2010-11-17, Dock 4, Kassel
- 2010-11-19, Theaterdiscounter Berlin
- 2010-11-20, Theaterdiscounter Berlin
- 2010-11-25, monty Theater, Antwerpen (BE)
Beule to go -> Klöppermänner/Schleppermänner
Video
by Verena Billinger. Abreißer: Nicolas Niot, Sebastian M. Schulz
Past Performances
- 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
- 2009-06-19, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
- 2009-06-21, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, Keller
- 2010-05-01, Frankfurt LAB
Choreographische Systeme, Kontext und Modelle
Dance Project
by Gastprof. Thomas Lehmen und div. Studierende
Past Performances
- 2009-05-08, premiere , Probebühne
Cinematic modes of choreography - notes on the spaces and intervals
Plato’s cave is a comfortable and a disturbing place at the same time. The comfort of the projection, which is both fiction and imagination, stays always dark. The one who talks about the world outside the cave endangers the comfort within the cave. But what if - following Diderot - the one who left the cave would not report what he had seen but just be silent on his return? According to Goran Sergej Pristaš Diderot considers this possibility. In his "notes on the spaces and intervals" Pristaš enquires the prerequisites of Diderot’s cinematic viewing. Slavoj Zizek would take much pleasure in this and – maybe dancing - present his own analysis in the faked stage. Besides one really wonders what the cinemating viewing can see – epecially on a stage. We are looking forward to a stimulated discussion.
Goran Sergej Pristaš can be unhesitatingly called an authority within the European dance, theatre and performance scene. He has been professor at the “Academy of Drama and Art” at the University of Zagreb since 1993. Before that he worked as director, dramatic advisor and performer with the performance collective BADco (among others) and was the artistic director of the theatre ŠKUC in Ljubljana. Till 1999 he also worked as producer and dramatic advisor of the company of Borut Separovic and produced the performance “Confession”. Since 2000 he has been the director of the “Centre of Drama Art” in Zagreb. Till 2007 he was the editor in chief of the theatre and performance magazine “Frakcija” which he had founded in 1996. Since 2003 he has been one of the initiators of "Zagreb - Cultural Kapital of Europe 3000" ("ZCK 3000") which is a series of regional and international projects dealing with new group dynamics, collective strategies and working methods for the cultural production. He and Ivana Ivković will conduct a workshop themed "Stratagames: A Theatre of Operations" at the Steirischer Herbst 2009.
Lecture
by Goran Sergej Pristaš
Past Dates
- 2009-10-08, DISKURS 09 , Alte Stadtbibliothek Giessen, Eingang Lonystrasse
Claroscuro
Dance Project
by Paula Rosolen in Zusammenarbeit mit Jacob Bussmann/Maja Friedrich/Inma Rubio/Sebastian Schottke/Sven Segelken/Lucie Tuma
Past Performances
- 2009-05-15, Festival Universitaire de Jeunes Productions Musicales, Aix en Provence (F)
- 2009-06-05, Mousonturm Frankfurt, Studiobühne
- 2009-06-06, Mousonturm Frankfurt, Studiobühne