Installation
by Tobias Rosenberger; Sounddesign / Dramaturgische Beratung: René Rothert Sprecher: Malte Scholz

Past Performances

• 2009-05-15, Stiftung Künstlerdorf Schöppingen
• 2009-05-16, Stiftung Künstlerdorf Schöppingen
• 2009-05-17, Stiftung Künstlerdorf Schöppingen
• 2009-05-18, Stiftung Künstlerdorf Schöppingen
• 2009-05-19, Stiftung Künstlerdorf Schöppingen
• 2009-05-20, Stiftung Künstlerdorf Schöppingen
• 2009-05-21, Stiftung Künstlerdorf Schöppingen
• 2009-05-22, Stiftung Künstlerdorf Schöppingen
• 2009-05-23, Stiftung Künstlerdorf Schöppingen
• 2009-05-24, Stiftung Künstlerdorf Schöppingen
• 2009-05-25, Stiftung Künstlerdorf Schöppingen
• 2009-05-26, Stiftung Künstlerdorf Schöppingen
• 2009-05-27, Stiftung Künstlerdorf Schöppingen
• 2009-05-28, Stiftung Künstlerdorf Schöppingen
• 2009-05-29, Stiftung Künstlerdorf Schöppingen
• 2009-05-30, Stiftung Künstlerdorf Schöppingen
• 2009-05-31, Stiftung Künstlerdorf Schöppingen
• 2009-06-01, Stiftung Künstlerdorf Schöppingen
• 2009-06-02, Stiftung Künstlerdorf Schöppingen
• 2009-06-03, Stiftung Künstlerdorf Schöppingen
• 2009-06-04, Stiftung Künstlerdorf Schöppingen
• 2009-06-05, Stiftung Künstlerdorf Schöppingen
• 2009-06-06, Stiftung Künstlerdorf Schöppingen
• 2009-06-07, Stiftung Künstlerdorf Schöppingen
• 2009-06-08, Stiftung Künstlerdorf Schöppingen
• 2009-06-09, Stiftung Künstlerdorf Schöppingen
• 2009-06-10, Stiftung Künstlerdorf Schöppingen
• 2009-06-11, Stiftung Künstlerdorf Schöppingen
• 2009-06-12, Stiftung Künstlerdorf Schöppingen
• 2009-11-12, Medien der Auferstehung , Margarete-Bieber-Saal
• 2009-11-13, Medien der Auferstehung , Margarete-Bieber-Saal
• 2009-11-14, Medien der Auferstehung , Margarete-Bieber-Saal

Project
by Julia Blawert & Matthias Lange

• Past Performances
• 2009-11-21, premiere , Ecke Lincolnstreet/ Hannah-Arendt-Strasse Gießen

Dimensions: 2m (length) x 1.3m (depth) x 2.2m (height)

Materials: Metal space-frame on wooden pedestal, 6 TFT screens, 3 computers

“Glen Runciter is dead. Or is he? Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out. If it hasn΄t already.”

- Philip K. Dick, Ubik

Embarking on the notion of a seamless passage between the realm of public urban space and the secretive worlds of corporate business, we focused on the development of a mediating appliance that would allow for playful interaction along the lines of an arresting narrative.

The interventionist manipulation of a fictitious reality unfolds in a series of mysterious events, staged and displayed within the framework of a simulated corporate environment. A sketch-like model of a prototypical corporate building type is the materialized space-frame for the organizational complex. Within the physical constraints of the architectural proposition, a number of office units provide for the generic setting of various scenarios, all of which are based on the same narrative but looked upon subjectively from the individual perspective of imaginary characters. All these people contribute their personal version of events past, simply because they happened to be inside or around the building at a particular time. Step by step the evidence at hand may appear to make for a comprehensive round-up, but remain the fragmented collage of an alleged incident inside the complex. The faηades of the model are equipped with 6 modified TFT displays in order to regulate their degree of transparency depending on the amount of white light received in the course of transmission. With their ability to transmit light, the screens retain their quality to display any kind of digital information, and take on the following functions:

1. Regulation of transparency
2. Framing device for highlighting specific details or pieces of evidence inside the building
3. Display of additional information, e.g. text, video or diagrams

Once the visitor activates the cycle, her or his proximity to the model is prone to create a fragile commitment to follow the densely illustrated simulation of an ever changing narrative as its constitutive elements are being re-arranged with every incoming signal triggered by a new visitor.

The model is a self-sustained unit, and once the sideboards are flipped open, its wooden transport packaging turns into the surrounding landscape of the model. The lower part of the crate forms the pedestal for a presentation at eye height in a room with its only source of light being the media faηades of the scaled building. A number of small speakers enhance the various scenarios acoustically from inside the various rooms of the structure.

http://www.media.uoa.gr/~charitos/emobilart/exhibition_gr/real_estate.html

http://www.tat-ort.net

http://www.tobiasrosenberger.de/

Installation
by Alexandra Berlinger, Wolfgang Fiel, Tobias Rosenberger (ATW)

Past Performances

• 2009-10-28, Gallery of the Academy of Fine Arts in Katowice
• 2009-11-15, Gallery of the Academy of Fine Arts in Katowice

Project
by Caroline Creutzburg, Franziska Dick, Sylvia Lutz, Matthias Nebel, Charlotte Pistorius, Sophie Reble, Kim Willems

Past Performances

• 2009-02-22, Galerie Jarmuschek, Sophiensaele, im Rahmen von 100° Berlin
• 2009-04-08, Straße des 17.Juni 118, Berlin, Raum 204
• 2009-04-11, Studio Maxim Gorki Theater, Berlin
• 2009-06-06, OUTNOW! 2009, Schwankhalle Bremen

Performance
by und mit Alexander-Maximilian Giesche und Lea Letzel

Past Performances

• 2009-06-06, Teaterskolen Kopenhagen
• 2009-06-20, Theatermaschine 2009 , Audimax, Haus A, Philosophikum II, Universtität Gießen
• 2010-04-14, Münchner Kammerspiele / Neues Haus
• 2010-04-24, INSTANT FESTIVAL HILDESHEIM
• 2010-05-01, Frankfurt LAB
• 2010-07-17, ZEITRAUM EXIT / FRISCH EINGETROFFEN FESTIVAL (open air!!!)
• 2010-11-06, Archauz, JUNGE HUNDE FESTIVAL, Aarhus, Dänemark
• 2010-11-07, Archauz, JUNGE HUNDE FESTIVAL, Aarhus, Dänemark
• 2011-03-25, Körber Studio Junge Regie - Thalia Theater Hamburg Gaußstrasse
• 2011-10-02, Théâtre de la Cité Internationale, Paris
• 2012-04-05, Frascati Theater, Amsterdam; im Rahmen von Jeux de Fras

Lecture
by Louis Peters

Past Dates

• 2009-11-12, Medien der Auferstehung , Margarethe-Bieber-Saal

Lecture
by Karin Wenz

Past Dates

• 2009-11-13, Medien der Auferstehung , Margarethe-Bieber-Saal

Installation
by Fabian Offert

Past Performances

• 2009-06-18, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, A114
• 2009-06-19, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, A114
• 2009-06-20, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, A114
• 2009-06-21, Theatermaschine 2009 , Institut für Angewandte Theaterwissenschaft, A114
• 2009-10-09, PACT Zollverein Atelier, Essen
• 2009-10-30, zeitraumexit Mannheim - im Rahmen von "Wilsonstraße, Werkschau der ATW"
• 2009-10-31, zeitraumexit Mannheim - im Rahmen von "Wilsonstraße, Werkschau der ATW"
• 2010-02-13, HfMDK Frankfurt am Main im Rahmen von "5 Stunden HTA"
• 2010-05-01, Frankfurt LAB

Lecture
by San Keller

Past Dates

• 2009-10-28, Institut für Angewandte Theaterwissenschaft, Raum A118

Nikolas Hoppes text schwippern is pure fancy. Are you schizophren?

Production
by Brigitte Brüggemann, Chris Herzog, Oliver Horton, Ferdinand Klüsener. Konzept: Ferdinand Klüsener. Text von Nikolaus Hoppe, Gewinner des 6. Marburger Kurzdramenwettbewerbs

Past Performances

• 2009-12-03, premiere , Waggonhalle - Marburg
• 2009-12-04, Waggonhalle - Marburg
• 2009-12-05, Waggonhalle - Marburg
• 2009-12-06, Waggonhalle - Marburg

Dance Project
by Konzept: Enad Marouf, Performance: Sebastian Schulz

Past Performances

• 2009-05-29, Tanzart Ostwest, Theater im Löbershof (TiL) Gießen
• 2009-06-05, Künstlerhaus Mousonturm (Studiobühne), Frankfurt a.M.
• 2009-06-06, Künstlerhaus Mousonturm (Studiobühne), Frankfurt a.M., im Anschluss talkArt
• 2009-07-30, UNI.T Berlin - im Rahmen von SODAWORKS Postgraduate Platform of the Hochschulübergreifendes Zentrum Tanz - Pilotprojekt Tanzplan Berlin
• 2010-03-04, 100° Berlin, HAU 3 (Probebühne), Berlin
• 2010-09-12, Festival Junger Talente, Energieversorgung AG (EVO), Eingang Goethering, 63067 Offenbach am Main
• 2011-03-26, Ģertrūdes ielas teātris, Riga/Lettland
• 2011-03-27, Ģertrūdes ielas teātris, Riga/Lettland

Performance
by Hendrik Quast

Past Performances

• 2009-07-17, Gießen: Karl-Glöckner-Straße 21 - Bahnhofstraße 1 (Lichtinszenierungen 2009)
• 2009-10-09, Gießen: Karl-Glöckner-Straße 21 - Lonystraße 2 (Diskurs 09)
• 2009-11-25, Köln - Impulse-Festival // MARATHON SPECIAL
• 2009-11-27, Mühlheim - Köln - Impulse-Festival // MARATHON SPECIAL
• 2009-12-05, Bochum - Mühlheim - Düsseldorf - Impulse-Festival // MARATHON SPECIAL
• 2010-03-05, Berlin: Hallesches Ufer 32 - Sophienstraße 18 (Festival 100 Grad Berlin)
• 2010-03-06, Berlin: Hallesches Ufer 32 - Sophienstraße 18 (Festival 100 Grad Berlin)
• 2010-03-07, Berlin: Hallesches Ufer 32 - Sophienstraße 18 (Festival 100 Grad Berlin)

Lecture
by Prof. Dr. Bettine Menke (Universität Erfurt)

Past Dates

• 2009-02-10, Institut für Angewandte Theaterwissenschaft, A118

Lecture
by Petra Bolte-Picker

Past Dates

• 2009-11-13, Medien der Auferstehung , Margarethe-Bieber-Saal

Lecture
by Jörn Etzold

Past Dates

• 2009-11-14, Medien der Auferstehung , Margarethe-Bieber-Saal

Media sculpture after text by Antonin Artaud

The An-Archic Device is something between toy theatre, street altar and peepshow: a small-scale stage model, a blinking automata, an audio-visual machine, that produces physical and anarchic dissociation by means of laughter.

Based on Antonin Artauds theater manifesto „The Conquest of Mexico“, The An-Archic Device deals with Mexico as a space of otherness and as a subjective heterotopia. Hence, Mexico becomes the playground for an examination of danger and fear along the site, where each subject is set back to its self in its relation to the world.
A ten pesos coin starts the device.

Installation
by Tobias Rosenberger

Past Performances

• 2009-06-30, bis 31.07.2009; Galería A/B del CENART; Río Churubusco No.79 esq. calzada de Tlalpan, Colonia Country Club, México D.F.
• 2009-07-31, ab 30.6.2009; Galería A/B del CENART; Río Churubusco No.79 esq. calzada de Tlalpan, Colonia Country Club, México D.F.
• 2010-04-21, Kunsthalle Dominikanerhalle, 23. European Media Art Festival Osnabrück: Mash Up

the narration game is a game on body and utopia, playing the intertwined relation between reality, fiction and reflection. in its game format it is asking for audience participation - without your imagination there will be no performance.

Thus, we are very excited to meet you there with your precious fantasy and to shift imaginary spaces!!

Performance
by Uri Turkenich (CuP) und Juli Reinartz

Past Performances

• 2009-12-11, LOGE, Annastr. 38, Essen-Rüttenscheid
• 2010-02-13, HfMDK Frankfurt, im Rahmen von "5 Stunden HTA"

Performance
by Christian Grammel

Past Performances

• 2009-06-13, Hessische Theatertage 2009 , Tasch 2, Marburg (Hessische Theatertage)
• 2009-06-19, Theatermaschine 2009 , Probebühne, Institut für Angewandte Theaterwissenschaft
• 2009-07-11, Mannheim, zeitraumexit ("frisch eingetroffen")
• 2010-03-05, Festival 100° Berlin, HAU 2
• 2010-03-17, Festival 150% made in Hamburg, Kampnagel

Production
by Lucas Solange (Regie). Konstüme von Anna Peschke (ATW)

Past Performances

• 2009-03-21, premiere , Zimmertheater Tübingen
• 2009-03-22, Zimmertheater Tübingen
• 2009-03-23, Zimmertheater Tübingen
• 2009-03-24, Zimmertheater Tübingen
• 2009-03-25, Zimmertheater Tübingen
• 2009-03-26, Zimmertheater Tübingen
• 2009-03-27, Zimmertheater Tübingen
• 2009-03-28, Zimmertheater Tübingen
• 2009-03-29, Zimmertheater Tübingen

Lecture
by Helmut Krasser

Past Dates

• 2009-11-13, Medien der Auferstehung , Margarethe-Bieber-Saal