Documentary project about the gentrification. After about 50 interviews with architects, city planners, activists, journalists, lawyers and neighbours from Barcelona, Berlin and Venice we analyse this phenomenon on stage through the technique of Verbatim theatre.

By and with Mariona Naudin, Ireneu Tranis, Alba Valldaura
Dramaturgy: Marc Villanueva Mir
Set design: Clàudia Vilà
Costumes: Adriana Parra
Video: Ventura López Kalász
Sound design: Guillem Llotje
Light design: Pol Queralt
Executive producer: Anna Bohigas
Communication: COSMICA/ Anna Aurich, Sònia Gonzalez
Photography: Roger Rossell

Coproduction of Festival Grec with the support of Institut del Teatre de la Diputació de Barcelona, La Poderosa, Fabra i Coats and L’Estruch-Ajuntament de Sabadell

This project won the Adrià Gual Award 2017

Performance
by Mos Maiorum + Marc Villanueva Mir 

Past Performances

• 2018-07-07, premiere , Sala Hiroshima | Barcelona
• 2018-07-08, Sala Hiroshima | Barcelona
• 2018-07-09, Sala Hiroshima | Barcelona
• 2019-02-21, Teatre Modern - El Prat de Llobregat (Spanien)
• 2019-09-28, Festival TNT, Terrassa (Spanien)
• 2019-10-03, Conde Duque, Madrid
• 2019-10-04, Conde Duque, Madrid
• 2019-10-05, Conde Duque, Madrid
• 2019-10-17, FAB, Bordeaux
• 2019-10-18, FAB, Bordeaux
• 2019-10-19, FAB, Bordeaux

Performance
by Ruby Behrmann, Johannes Karl, Asja Mahgoub, Hannah Maneck, Julia Mihály, Laurenz Raschke, Nora Schneider, Sara Trawöger 

Past Performances

• 2018-01-11, final project , Mousonturm, Frankfurt
• 2018-01-11, final project , Mousonturm Frankfurt
• 2018-01-12, final project , Mousonturm Frankfurt
• 2018-01-12, final project , Mousonturm Frankfurt
• 2018-01-13, final project , Mousonturm Frankfurt
• 2018-01-13, final project , Mousonturm Frankfurt

Scenic Project
by Teilnehmer*innen des szenischen Projekts "HÖRSTÜCKE" bei Prof. Heiner Goebbels im WS 17/18 

Past Performances

• 2018-04-17, PB2

Performance

by Konzept: Stefan Panhans und Andrea Winkler Performance: Lisa Marie Janke, Olivia Hyunsin Kim, Kue Serge 

Past Performances

• 2018-01-31, premiere , Transmediale, Opening Performance, Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10 D-10557 Berlin

Festival
by Martin Bien, Elena Giffel, Herbert Graf, Amélie Haller, Asja Mahgoub, Anne Mahlow, Lisa Schettel, Nora Schneider, Nikolas Stäudte und Dennis Vetter 

Past Performances

• 2018-07-13, Alte Universitätsbibliothek, Bismarckstraße 37, 35390 Gießen
• 2018-07-14, Alte Universitätsbibliothek, Bismarckstraße 37, 35390 Gießen
• 2018-07-15, Alte Universitätsbibliothek, Bismarckstraße 37, 35390 Gießen

Feminism has never been so hip and trendy! We could see this as a true victory for feminism and still post a “I’m a feminist” selfie real quick. Let’s be honest. This kind of “high gloss feminism” doesn’t cover up the smell of the shit we encounter every day in the form of sexism, racism and every other kind of possible phobia.
Accompanied by a guitar, a synthesizer and drum machine, The Kill Joys sing, scream and perform against daily discriminations and the patriarchy. I Am Not A Joke (Take Two) is an appeal against this shit while simultaneously questioning the consumability of feminism.

The Kill Joys (Olivia Hyunsin Kim, Magda Drozd & Co.) examine intersectional feminist issues within the form of a theatrical concert performance. The collective was founded in 2016 and has screamed about what makes them angry in a do-it-yourself style ever since. Using songs and performative actions that focus on their own experiences with everyday racism as well as within the performing arts, they create a feminism that is relevant for them and their concerns as women, artists and immigrants that is certainly not a “feel good” marketing strategy.

Performance
by Von und mit The Kill Joys (Olivia Hyunsin Kim, Magda Drozd und co.), Maude Vuilleumier, Juliusz Drozd, Torsten Litschko und Sandra Schudel Koproduktion Fabriktheater Rote Fabrik Zürich, English Theatre Berlin / International Performing Arts Center Mit freundlicher Unterstützung Schweizer Kulturstiftung Pro Helvetia, Ernst Göhner Stiftung, Premio Migros-Kulturprozent, ada Studio Berlin und Theaterhaus Mitte 

Past Performances

• 2018-03-01, English Theatre Berlin/ICPA
• 2018-03-02, English Theatre Berlin/ICPA
• 2018-03-03, English Theatre Berlin/ICPA
• 2018-03-22, Fabriktheater Rote Fabrik Zürich
• 2018-03-23, Fabriktheater Rote Fabrik Zürich

2018-03-24, Fabriktheater Rote Fabrik Zürich

She is standing silently and looking at us: A woman in green velvet jumpsuit. Ida Daniel, a student of the department for “Choreography and Performance” is searching in her graduation performance the traces and multiple existences that inhabit this body that is uncanny and familiar at the same time. A body lives in a promising relationship with all those who inhabit it. But what type of body do they enjoy? Maybe a singing and dancing one? Or one that is rather invisible? Or constantly jumping? Or constantly sleeping? Or just one superbody? Or two?
You know that a moment has finished when a new unlived life gets started.
For I will not stay here long Ida Daniel fantasizes bodies of text, sound, light, image and matter that want to expose themselves in stillness and in motion. Bodies that refuse to get settled.

A collaboration between Künstlerhaus Mousonturm and MA Choreography and Performance in the frames of Hessian Theatre Academy HTA.

Performance
by Ida Daniel in collaboration with Todor Stoyanov, Zrinka Uzbinec and Katarzyna Kania 

Past Performances

• 2018-09-28, final project , Künstlerhaus Mousonturm, Frankfurt a. M.
• 2019-05-13, Hessische Theatertage Kassel 2019
• 2019-11-02, KONDENZ 2019, Center for Cultural Decontamination, Belgrade, Serbia

Comme un long interminable cri. This is what she answered when I asked her how a solo may sound that she would be dancing forever. JLP 2043 - a solo for Julie Laporte. She will be dancing it for the next 25 years. The solo unfolds its force over the duration of this lived time. It isn’t the euphoric intensity of the new, but the still and unexcited joy by gazing at newly discovered aspects of the old. There are rumours of the solo having an impact of cell rejuvenation on the dancer. Apparently, not only on her, but on everybody witnessing her dance it. Yet still, this wouldn’t be all too important. Based on studies of ancient Dao scriptures, JLP 2043 uses strategies of gradual disappearing, negation and affirmative withdrawal. It tells whispers of seizing futurity and how such an attempt will always be contingent. A tale of the relation between choreography and dance, of strategically soft solidarity in times of flexible mobile overstraining and of the love between dancer and choreographer.

As part of the festivities surrounding the beginning of the coming 25 years, two works of related positions are invited into JLP 2043: Hydrocommons by Riikka Tauriainen and Massage Sonore by NoMad Kollektiv

Thanks to Jongil Choi, Thomas Péronnet, Sandra Umathum

A production by Lucie Tuma in Coproduction with Gessnerallee Zürich, CCN – Ballet de Lorraine, Santarcangelo Festival, Performa Festival Ticino 

Supported by Stadt Zürich Kultur, Fondation Nestlé pour l’Art, Stiftung Anne-Marie Schindler, Georges und Jenny Bloch Stiftung

Dance Project
by Lucie Tuma von und mit Laura Endres, Daniel Goody, Claudia Hill, Julie Laporte, Lisa Letnansky, Caroline Palla, Carina Premer 

Past Performances

• 2018-11-29, premiere , Gessnerallee Zürich
• 2018-12-01, Gessnerallee Zürich
• 2018-12-02, Gessnerallee Zürich
• 2018-12-03, Gessnerallee Zürich
• 2018-12-04, Gessnerallee Zürich

I wonder what a body would look like - Amélie Haller et Herbert Graf
Agence de voyage "My.Oddysea" - Kajetan Skurski
#FollowMeAround - Laura Schilling
what if where i am is what i need - Maximilian Brands, Clara Reiner et Christopher Weickenmeier.
Pour les poissons - Carlos Franke
It knew no lapse - Fabrício Belzoff, Lea König, René Alejandro Huari Mateus
Cascade, version muséale - Emmilou Rössling
Talk.Talk - Emmilou Rössling et Romuald Krezel
Playback – une danse de lèvres synchronisées - Jan Gehmlich, Clara Reiner, Joana Tischkau
La tétralogie d'eau thermale - Luis August Krawen
La Poste coloniale - Ruby Behrmann et Asja Mahgoub
Accompagné par Motel One - Niels Wehr
Le Palais du teint hâlé - Marie Meyer et Calendal Klose

Pieces by students of teh Institute for Applied Theatre Studies
carated by Katharina Stephan and Prof. Heiner Goebbels
in cooperation with Goethe Institut Paris

Performance
by Amélie Haller, Herbert Graf, Kajetan Skurski, Laura Schilling, Maximilian Brands, Clara Reiner, Christopher Weickenmeier, Carlos Franke, Fabrício Belzoff, Lea König, René Alejandro Huari Mateus, Emmilou Rössling, Romuald Krezel, Jan Gehmlich, Joana Tischkau, Luis August Krawen, Ruby Behrmann, Asja Mahgoub, Niels Wehr, Marie Meyer, Clandal Klose 

Past Performances

• 2018-02-02, Palais de Porte Dorée, Paris
• 2018-02-03, Palais de Porte Dorée, Paris
• 2018-02-04, Palais de Porte Dorée, Paris

Concert
by Sara Trawöger 

Past Performances

• 2018-11-23, Gießen

We would like to invite you to say goodbye to Heiner Goebbels who'll leave his post as professor here at the Department for Applied Theatre Studies. After a short official part we'll turn the "Partie" into a party.

Farewell
by Prof. Heiner Goebbels 

Past Performances

• 2018-02-09, Special Occasion , Foyer im Haus A, Phil II

Leander Ripchinsky is a performance artist, who works in various constellations and genres. “Liebe” (Love) is based on his personal search for possibilities to both continually work with old loves, as well as artistically pursue new desires and intuitions. So far, Ripchinsky has asked 50 artists to collaborate with him on the “Liebe” collection, each producing a single solo for him. These solos play with different temporalities and intimacies and are meant to be permanently conserved in Ripchinsky’s body, allowing current versions of the performances to be shown over and over again over the years. At Mousonturm, audience has the chance for the first-time to experience individual pieces from the constantly growing collection of stage performances.

In German and English / Eine Sammlung mit Beiträgen von Leander Ripchinsky in Kooperation mit (Stand 14.05.2018): Robin Arthur, Auftrag:Lorey, Fabrício Belzoff, Gesa Bering, Max Brands, Hendrik Borowski, contact gonzo, Fux, Maria Isabel Hagen, Benjamin Hoesch, Ole Hübner, K.A.U., Elisabeth Krefta, f.wiesel, Ligna, Kate McIntosh, Mobile Albania, Ersan Mondtag, Boris Nikitin, Paul Norman, Janna Pinsker, Emmilou Rößling, Florence Ruckstuhl, Isabel Schwenk, Katharina Sendfeld, SKART, Esther Steinbrecher, Harry Stick, Niels Wehr, Michael Wolters / eine Performance mit Leander Ripchinsky / Dramaturgie: Hendrik Borowski, Florence Ruckstuhl / Technische Unterstützung: Charlotte Bösling / Kuration: Heiner Goebbels, Künstlerhaus Mousonturm

Project
by Leander Ripchinski
in Kooperation mit (Stand 14.05.2018): Robin Arthur, Auftrag:Lorey, Fabrício Belzoff, Gesa Bering, Max Brands, Hendrik Borowski, contact gonzo, Fux, Maria Isabel Hagen, Benjamin Hoesch, Ole Hübner, K.A.U., Elisabeth Krefta, f.wiesel, Ligna, Kate McIntosh, Mobile Albania, Ersan Mondtag, Boris Nikitin, Paul Norman, Janna Pinsker, Emmilou Rößling, Florence Ruckstuhl, Isabel Schwenk, Katharina Sendfeld, SKART, Esther Steinbrecher, Harry Stick, Niels Wehr, Michael Wolters
eine Performance mit Leander Ripchinsky
Dramaturgie: Hendrik Borowski, Florence Ruckstuhl
Technische Unterstützung: Charlotte Bösling
Kuration: Heiner Goebbels, Künstlerhaus Mousonturm

Past Performances

• 2018-06-09, Künstlerhaus Mousonturm Frankfurt
• 2018-06-10, Künstlerhaus Mousonturm Frankfurt
• 2018-06-11, Künstlerhaus Mousonturm Frankfurt

Performance
by Performance von Institut für Widerstand im Postfordismus - Elisa Müller, Henrike Kohpeiß (ATW Alumna) u.a. 

Past Performances

• 2018-07-17, german stage service, Marburg

Piece by Prof. Heiner Goebbels (emeritus)
details/tickets available here

Production
by Inszenierung: Heiner Goebbels
Musikalische Leitung: Pablo Druker
Bühne und Kostüme: Heiner Goebbels / Monika Gora
Video: René Liebert
Sprecherin: Lisa Charlotte Friederich
Sprecher: David Bennent
Mit: Mitglieder des Philharmonischen Orchester Gießen / GastmusikerInnen

Past Performances

• 2018-05-04, premiere , Stadtheater Gießen, Großes Haus
• 2018-05-05, Stadtheater Gießen, Großes Haus
• 2018-05-06, Stadtheater Gießen, Großes Haus
• 2018-05-08, Stadtheater Gießen, Großes Haus
• 2018-05-09, Stadtheater Gießen, Großes Haus
• 2018-05-10, Stadtheater Gießen, Großes Haus

The young opera collective "The Navidson" gathers at Operadagen 2018 in Rotterdam in order to refine the current production "Ødipus Rec." in an "Open Guerilla Workstation". The publicly accessible platform makes visible and audible what usually takes place in spaces behind the scenes that are safe but also hostile to exchange. "The Navidsons" open up their work meeting to interested visitors, and enter into a dialogue on the metaphorical meaning of blindness, on questions about the formal realization of sound, music and stage, on compositional sketches and dramaturgical ideas of the planned music theatre "Ødipus Rec."

The idea of the "Guerilla Workstation" is an advancement of thoughts on "communing" and "co-creation" from the production "The Navidson Records" (premiere: Münchener Biennale 2016). In the context of the festival, this action is likewise an artistic statement on a world that is about to put itself in protectionist, anti-democratic, obscure structures and to abandon social diversity as well as access to spaces that elude surveillance.

The event takes place within the framework of Operaland.

www.operadagenrotterdam.nl/programma/operaland
www.thenavidsons.com/odipus-rec

Performance
by The Navidsons: Till Wyler von Ballmoos, Ole Hübner (ATW), Tassilo Tesche (ehem. Gastprofessor ATW), Jakob Boeckh (ATW), Maxine Devaud 

Past Performances

• 2018-05-20, Noletloodsen Schiedam Rotterdam
• 2018-05-21, Noletloodsen Schiedam Rotterdam

Palindrome plays in a fictive universe where time has started to go backwards - where the years count downwards, the clocks are reversed and technology is slowly decaying. Henri, a film archivist living in the reversed 1930s stumbles upon an old film roll, that depicts time flowing in the normal direction.
He invites two American curators - Iris and John - to his Parisian home cinema in an attempt to convince them to spread his movie, and thus maybe halter the moonwalk of time. The film he has found namely bears ominous signs of an upcoming new world war... 

Palindrome is a filmic experiment with surround sound, that stands on the border between cinema, theater and installation. An essential part of the plot is conveyed through the sound - Henri, Iris and John never appear on the screen, they only exist on the soundtrack so to say. The surround sound is used to give the viewers the feeling that the characters sit among them in the audience. Dialogues and sounds not only come from the front speakers, but from all four walls of the cinema hall. From the back wall one can hear the humming of an old projector, from the middle of the room the whispers of two visitors and from the front a curious voice holding a monologue about the film shown.
Utilizing the surround sound in an experimental way, Palindrome tries to create and encourage a new way to experience cinema - a new spatial cinema, where the fiction is not only limited to the screen, but now encompasses the whole cinema hall.

Trailer: https://vimeo.com/281065696

davidronner.com

Film
by Regie, Musik, Schnitt: David Erik Ronner, Henri: Frédéric de Carlo Iris: Gloria Endres de Oliveira John: Yannik Raiss Radiosprecher: Alex D'Attoma Werbesprecher: Tom Solo Kamera: Nicolás Santana Tonaufnahme: Victor Pfannmöller

Past Performances

• 2018-09-01, Special Occasion , Ruhrtriennale

Performance
by Nuray Demir O. Hyunsin Kim Tümay Kilinçel Hannah Ma Zwoisy Mears-Clarke Sara Mikolai Ceren Oran Sandra Chatterjee organisiert diesen Think Tanz im Rahmen ihres Arbeitsstipendiums im Bereich Tanz des Kulturreferats der Landeshauptstadt München und mit Unterstützung des Köşk, München Hiba Shammout Joana Tischkau Julian Warner 

Past Performances

• 2018-07-20, Köşk München Schrenkstr. 8, 80339 München

Performance
by THE AGENCY (Magdalena Emmerig, Belle Santos, Rahel Spöhrer und Yana Thönnes), Stacyian Jackson, Adela Bravo Sauras (ATW), Lara Scherrieble, Malte Sundermann, Nile Koetting, Leif Randt 

Past Performances

• 2018-12-13, Sophiensaele, Berlin
• 2018-12-14, Sophiensaele, Berlin

Concert
by Kristin Gerwien 

Past Performances

• 2018-02-02, Kunsthaus Essen, Rübezahlstraße 33, 45134 Essen, 1.OG, Atelier Idan Hayosh

PROMETHEUS LYOMENES AIR is the new performance project from Niels Wehr which will premiere at Staatstheater Darmstadt in 2019. The idea departs from the Prometheus myth, which has been narrated throughout the last 2000 years. The work is based on the fragment 'Prometheus Unbound' by Aeschylus. It will touch on the realms of the ancient choir and the individual.
Niels and his team are happy to present a research preview funded by the Fleetstreet Theater Hamburg.

Director: Niels Wehr
Technologie and Video: Roman Kuskowski
Sound: Benedikt Ellebrecht

Funded by: Rudolf Augstein Stiftung, Hamburgische Kulturstiftung

Performance
by Niels Wehr 

Past Performances

• 2018-10-20, Fleetstreet Theater, Admiralitätsstraße 71, 20459 Hamburg