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Classical Archaeology

 

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New Dialogue Series: Antiquity 2050 – Exploring the Past as a Laboratory for the Future

What does archaeology have to do with our future? More than one might initially think – but not necessarily in the way one might expect.

Next year, Classical Archaeology at JLU Giessen will launch Antiquity 2050 – The Past as a Laboratory for the Future, a new dialogue series that we will be introducing in more detail over the coming months.

The aim is not to look to antiquity for ready-made answers or simple historical analogies for the present. Instead, the historical distance of archaeological research opens up a space for thinking in which contemporary questions about the future can be approached from new perspectives. To this end, we bring perspectives from academia and wider society into dialogue – while making the audience an active part of the exchange.

Crises. Resources. Migration. Cities. Knowledge. Technologies. Identity. Memory. Social order. Issues that shape the present and the future – explored together from a range of historical and contemporary perspectives.

Antiquity 2050 – RETHINKING THE PAST. ASKING DIFFERENT QUESTIONS ABOUT THE FUTURE.

Contact: antike2050

 

Notice: Reduced Opening Hours During the Semester Break

During the semester break, the Chair of Classical Archaeology and the departmental library will operate with reduced opening hours:

Monday–Thursday: 8:00 a.m. – 3:00 p.m.

Please take these temporary opening hours into account when planning and working on your term papers, especially if you intend to use the departmental library.

 

Epic Fails – Tragic Heroes, Antiheroes, and Ambivalent Figures

When we think of ancient myths, the images that usually come to mind are those of radiant heroes and all-powerful gods. Yet a closer look reveals a far more complex and shadowy world: one populated by tragic figures, antiheroes, and monsters against their will. Many of these stories are, in fact, stories of different kinds of failure.
The exhibition explores the great moments of such “epic fails” in three thematic sections:

Hubris and self-inflicted downfall – when arrogance, overconfidence, or the pursuit of power paves the way to ruin.
Loss of control and emotional extremes – when love, passion, hatred, or madness unleash their destructive force.
Inescapable fate – when even the greatest heroes cannot evade the downfall destined for them.

The Special Exhibition Epic Fails invites visitors to rediscover well-known myths as stories about transgression, defeat, and the ambivalence of heroism.